Shakespeare's SoliloquiesRoutledge, 15.04.2013 г. - 224 страници First published in 1987. |
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... Dramatist Ellis-Fermor Shakespeare's Drama Ellis-Fermor The Language of Shakespeare's Plays Coleridge on Shakespeare Shakespeare Shakespeare's Poetics Fraser Shakespeare The Shakespeare Claimants Iconoclastes That Shakespeherian Rag The ...
... Dramatist Ellis-Fermor Shakespeare's Drama Ellis-Fermor The Language of Shakespeare's Plays Coleridge on Shakespeare Shakespeare Shakespeare's Poetics Fraser Shakespeare The Shakespeare Claimants Iconoclastes That Shakespeherian Rag The ...
Страница 2
... dramatists, such as CalderOn or Racine, Lessing or Schiller. Each of these writers developed his own distinctive types Ofsoliloquy, yet in each case the soliloquies remained within certain limits. Thus it is possible to speak of the ...
... dramatists, such as CalderOn or Racine, Lessing or Schiller. Each of these writers developed his own distinctive types Ofsoliloquy, yet in each case the soliloquies remained within certain limits. Thus it is possible to speak of the ...
Страница 3
... Dramatists employed the full range of so-called conventions in order to inform and instruct the spectators, to appeal to their power of imagination, but also to remind them of the fictionality of their theatrical experience, varying the ...
... Dramatists employed the full range of so-called conventions in order to inform and instruct the spectators, to appeal to their power of imagination, but also to remind them of the fictionality of their theatrical experience, varying the ...
Страница 4
... dramatists used the soliloquy for epic, narrative and descriptive purposes, that is to say for material which could not easily be fitted into the play in any other way. Soliloquies could also provide a running commentary on the ...
... dramatists used the soliloquy for epic, narrative and descriptive purposes, that is to say for material which could not easily be fitted into the play in any other way. Soliloquies could also provide a running commentary on the ...
Страница 6
... dramatist in Shakespeare sensed early on the latent possibilities of dramatization within the soliloquy, of the process whereby monologue becomes dialogue, the speaker being split into selves which are in conflict with one another. Much ...
... dramatist in Shakespeare sensed early on the latent possibilities of dramatization within the soliloquy, of the process whereby monologue becomes dialogue, the speaker being split into selves which are in conflict with one another. Much ...
Съдържание
1 | |
13 | |
3 SOLILOQUIES FROM THE COMEDIES AND ROMANCES | 45 |
4 SOLILOQUIES FROM THE TRAGEDIES | 88 |
5 CONCLUSION | 179 |
NOTES | 193 |
SELECT BIBLIOGRAPHY | 210 |
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Често срещани думи и фрази
abstract action actor already Angelo apostrophe appearance audience audience’s awareness becomes beginning Brutus Caesar character Clemen comedy comic contrast conventions convey Cymbeline dagger death deed Desdemona dialogue difficult dramatic dramatists effect Elizabethan emotions epithalamium expression eyes Falstaff father feeling figure final finally find first act first soliloquy follow Gentlemen of Verona gestures give Hamlet hath Helena Henry IV honour Iachimo imagery imagination Imogen’s impression influence Isabella Juliet julius Caesar King Lear Lady Macbeth language Launce Lear’s lines London loquy Lucius magic Malvolio mind monologue murder nature night Othello particular passage personification powers preceding presented Prospero questions reflection rhetorical Richard Richard III Romeo Romeo and juliet scene sense sentence sequence Shakespeare Survey Shakespeare’s plays Shakespeare’s soliloquies significance situation sleep soli speak speaker specific speech spoken stage style thee There’s thou thoughts tragedies tragic Twelfth Night Tybalt vision words