Shakespeare and the Geography of DifferenceCambridge University Press, 12.05.1994 г. - 255 страници In this engaging book, John Gillies explores Shakespeare's geographic imagination, and discovers an intimate relationship between Renaissance geography and theatre, arising from their shared dependence on the opposing impulses of taboo-laden closure and hubristic expansiveness. Dr Gillies shows that Shakespeare's images of the exotic, the 'barbarous, outlandish or strange', are grounded in concrete historical fact: to be marginalised was not just a matter of social status, but of belonging, quite literally, to the margins of contemporary maps. Through an examination of the icons and emblems of contemporary cartography, Dr Gillies challenges the map-makers' overt intentions, and the attitudes and assumptions that remained below the level of consciousness. His study of map and metaphor raises profound questions about the nature of a map, and of the connections between the semiology of a map and that of the theatre. |
Съдържание
Mapping the Other Vico Shakespeare and the geography of difference | 1 |
Of Voyages and Exploration Geography Maps | 40 |
Theatres of the world | 70 |
The open worlde the exotic in Shakespeare | 99 |
The frame of the new geography | 156 |
Notes | 189 |
| 230 | |
| 250 | |
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Africa America ancient Antony Antwerp appears Asia Atlas barbarian barbarous Bassanio biblical Caesar Caliban cartographic centre century classical Cleopatra context continents cosmographic cultural depicted difference discourse Donne earth earthly East edition Elizabethan empire English ethnographic European exorbitance exotic figure frame frontispiece globe Globe Theatre golden fleece Greek Herodotus idea imagery incest Indian Jason Lavinia legend lines London maritime Marlowe Medea medieval Mercator Mercator's Merchant of Venice metaphor miscegenation monstrous moral myth nature ocean oikumene Oroonoko Ortelian Ortelius Ortelius's Othello Ovid's Oxford Plate play Plutarch poetic geography pollution Portia promiscuity Prospero Ptolemaic rape Renaissance represents Roman Rome scene Scythian Seneca sense Shakespeare Shakespeare's geographic imagination Shylock sixteenth-century stage Stephen Orgel straits suggest Sycorax symbolism Tamburlaine Tarshish Tempest Tereus TERRA theatre theatrical Theatrum Orbis Terrarum theme Titus Andronicus tradition tragedy transgression translation Typus University Press Venetian Virginia voyage word world map