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And pure, from further intercourse ensued; This (if delightful hopes, as heretofore, Inspire the serious song, and gentle hearts Cherish, and lofty minds approve the past)My future labours may not leave untold.

THE ARMENIAN LADY'S LOVE.

The subject of the following poem is from the Orlandus of

Leading such companion, I that gilded dome, Yon minarets, would gladly leave for his worst home."

"Feeling tunes your voice, fair princess! And your brow is free from scorn, Else these words would come like mockery, Sharper than the pointed thorn." "Whence the undeserved mistrust?

apart

Too wide

the author's friend, Kenelm Henry Digby; and the Our faith hath been,―0, would that eyes could sec

liberty is taken of inscribing it to him as an acknowledgement, however unworthy, of pleasure and instruction derived from his numerous and valuable writings, illustrative of the piety and chivalry of the olden time.

You have heard "a Spanish lady
How she wooed an English man;"
Hear now of a fair Armenian,
Daughter of the proud soldàn;

How she loved a Christian slave, and told her pain By word, look, deed, with hope that he might love again.

"Pluck that rose, it moves my liking,"
Said she, lifting up her veil;

"Pluck it for me, gentle gardener,

Ere it wither and grow pale."

"Princess fair, I till the ground, but may not take From twig or bed an humbler flower, e'en for your sake."

"Grieved am I, submissive Christian!
To behold thy captive state;
Women in your land may pity

(May they not?) th' unfortunate."

"Yes, kind lady! otherwise man could not bear Life, which to every one that breathes is full of care."

"Worse than idle is compassion,

If it end in tears and sighs;

Thee from bondage would I rescue
And from vile indignities;

Nurtured, as thy mien bespeaks, in high degree, Look up--and help a hand that longs to set thee free."

"Lady, dread the wish, nor venture

In such peril to engage ;

Think how it would stir against you
Your most loving father's rage;

Sad deliverance would it be, and yoked with shame, Should troubles overflow on her from whom it came."

"Generous Frank! the just in effort
Are of inward peace secure;
Hardships for the brave encounter'd,
E'en the feeblest may endure:

If Almighty Grace through me thy chains unbind, My father for slave's work may seek a slave in mind."

"Princess, at this burst of goodness,
My long frozen heart grows warm!"
"Yet you make all courage fruitless,
Me to save from chance of harm;

*See, in Percy's Reliques, that fine old ballad, "The Spanish Lady's Love;" from which poem the form of stanza, as suitable to dialogue, is adopted.

the heart!"

"Tempt me not, I pray; my doom is These base implements to wield; Rusty lance, I ne'er shall grasp thee, Ne'er assoil my cobwebb'd shield! Never see my native land, nor castle towers, Nor her who thinking of me there counts widow'd hours."

"Prisoner! pardon youthful fancies;
Wedded? If you can, say no!-
Blessed is and be your consort;
Hopes I cherished let them go!

Handmaid's privilege would leave my purpose free,
Without another link to my felicity."

"Wedded love with loyal Christians,
Lady, is a mystery rare;

Body, heart, and soul in union,
Make one being of a pair."

"Humble love in me would look for no return,
Soft as a guiding star that cheers, but cannot burn."
"Gracious Allah! by such title
Do I dare to thank the God,
Him, who thus exalts thy spirit,
Flower of an unchristian sod!

Or hast thou put off wings which thou in heaven dost wear?

What have I seen, and heard, or dreamt? where am I? where?"

Here broke off the dangerous converse:

Less impassion'd words might tell
How the pair escaped together,

Tears not wanting, nor a knell

Of sorrow in her heart while through her father's

door,

And from her narrow world, she pass'd for ever

more.

But affections higher, holier,

Urged her steps; she shrunk from trust
In a sensual creed that trampled
Woman's birthright into dust.

Little be the wonder then, the blame be none,
If she, a timid maid, hath put such boldness on.

Judge both fugitives with knowledge:
In those old romantic days

Mighty were the soul's commandments
To support, restrain, or raise.

Foes might hang upon their path, snakes rustle

near,

But nothing from their inward selves had they to fear.

Thought infirm ne'er came between them,
Whether printing desert sands

With accordant steps, or gathering
Forest fruit with social hands;

Or whispering like two reeds that in the cold moonbeam

Bend with the breeze their heads, beside a crystal stream.

On a friendly deck reposing,

They at length for Venice steer;

There, when they had closed their voyage,
One, who daily on the pier

Watch'd for tidings from the east, beheld his lord, Fell down and clasp'd his knees for joy, not uttering word.

Mutual was the sudden transport;
Breathless questions fellow'd fast,
Years contracting to a moment,
Each word greedier than the last;

'Hie thee to the countess, friend! return with
speed,

And of this stranger speak by whom her lord was
freed.

"Say that I, who might have languish'd,
Droop'd, and pined till life was spent,
Now before the gates of Stolberg
My deliverer would present

For a crowning recompense, the precious grace
Of her who in my heart still holds her ancient place.

"Make it known that my companion

Is of royal Eastern blood,
Thirsting after all perfection,

Innocent, and meek, and good,

Though with misbelievers bred; but that dark night Will Holy Church disperse by beams of gospel light."

Swiftly went that gray-hair'd servant,
Soon return'd a trusty page
Charged with greetings, benedictions,
Thanks and praises, each a gage

For a sunny thought to cheer the stranger's way,
Her virtuous scruples to remove, her fears allay.

Fancy (while, to banners floating
High on Stolberg's castle walls,
Deafening noise of welcome mounted,
Trumpets, drums, and atabols)

The devout embraces still, while such tears fell
As made a meeting seem most like a dear farewell.

Through a haze of human nature,
Glorified by heavenly light,

Look'd the beautiful deliverer

On that overpowering sight,

While across her virgin cheek pure blushes stray'd,
For every ter der sacrifice her heart had made.

On the ground the weeping countess
Knelt, and kiss'd the stranger's hand;
Act of soul-devoted homage,
Pledge of an eternal band:

Nor did aught of future days that kiss belie,
Which, with a generous shout, the crowd did ratify.

Constant to the fair Armenian,
Gentle pleasures round her moved,
Like a tutelary spirit
Reverenced, like a sister loved.

Christian meekness smooth'd for all the path of life, Who loving most, should wiseliest love, their only strife.

Mute memento of that union
In a Saxon church survives,

Where a cross-legg'd knight lies sculptured
As between two wedded wives-

Figures with armorial signs of race and birth,
And the vain rank the pilgrims bore while yet on
earth.

THE SOMNAMBULIST.

LIST, ye who pass by Lyulph's tower*
At eve; how softly then

Doth Aira force, that torrent hoarse,
Speak from the woody glen!
Fit music for a solemn vale!

And holier seems the ground
To him who catches on the gale
The spirit of a mournful tale,
Embodied in the sound.

Not far from that fair site whereon

The pleasure house is rear'd, As story says, in antique days,

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A stern-brow'd house appear'd;
Foil to a jewel rich in light,

There set, and guarded well;
Cage for a bird of plumage bright,
Sweet-voiced, nor wishing for a flight
Beyond her native dell.

To win this bright bird from her cage,
To make this gem their own,
Came barons bold, wif. store of gold,
And knights of high renown;
But one she prized, and only one;

Sir Eglamore was he;

Full happy season, when was known,
Ye dales and hills! to you alone
Their mutual loyalty-

Known chiefly, Aira! to thy glen,

Thy brook, and bowers of holly; Where passion caught what nature taught, That all but love is folly;

Where fact with fancy stoop'd to play,

Doubt came not, nor regret;
To trouble hours that wing'd their way,
As if through an immortal day

Whose sun could never set.

But in old times love dwelt not long
Sequester'd with repose;

Best throve the fire of chaste desire,
Faun'd by the breath of foes.
"A conquering lance is beauty's test,
And proves the lover true;"
So spake Sir Eglamore, and press'd
The drooping Emma to his breast,
And look'd a blind adieu.

A pleasure house built by the late Duke of Norfolk upon the banks of Ullswater. Force is the word used in the Lake District for waterfall.

They parted. Well with him it fared
Through wide-spread regions errant ;
A knight of proof in love's behoof,

The thirst of fame his warrant:
And she her happiness can build

On woman's quiet hours;

Though faint, compared with spear and shield, The solace beads and masses yield,

And needle-work and flowers.

Yet blest was Emma when she heard

Her champion's praise recounted;

Though brain would swim, and eyes grows dim,

And high her blushes mounted;
Or when a bold heroic lay

She warbled from full heart;
Delightful blossoms for the May
Of absence! but they will not stay,
Born only to depart.

Hope wanes with her, while lustre fills
Whatever path he chooses;

As if his orb, that owns no curb,

Received the light hers loses.

He comes not back; an ampler space
Requires for nobler deeds;

He ranges on from place to place,
Till of his doings is no trace

But what her fancy breeds.

His fame may spread, but in the past
Her spirit finds its centre;
Clear sight she has of what he was,

And that would now content her. "Still is he my devoted knight?"

The tear in answer flows;

Month falls on month with heavier weight;
Day sickens round her, and the night
Is empty of repose.

In sleep she sometimes walk'd abroad,

Deep sighs with quick words blending, Like that pale queen whose hands are seen With fancied spots contending;

But she is innocent of blood,

The moon is not more pure

That shines aloft, while through the wood
She thrids her way, the sounding flood

Her melancholy lure!

While 'mid the fern-brake sleeps the doe,
And owls alone are waking,

In white array'd, glides on the maid,
The downward pathway taking,
That leads her to the torrent's side
And to a holly bower;

By whom on this still night descried?
By whom in that lone place espied?
By thee, Sir Eglamore!

A wandering ghost, so thinks the knight,
His coming step has thwarted,
Beneath the boughs that heard their vows,
Within whose shade they parted.

Hush, hush, the busy sleeper see!

Perplex'd her fingers seem,
As if they from the holly tree
Green twigs would pluck, as rapidly

Flung from her to the stream.

What means the spectre? Why intent
To violate the tree,

Thought Eglamore, by which I swore
Unfading constancy?

Here am I, and to-morrow's sun,

To her I left, shall prove
That bliss is ne'er so surely won
As when a circuit has been run
Of valour, truth, and love.

So from the spot whereon he stood,
He moved with stealthy pace;
And, drawing nigh, with his living eye,

He recognised the face;

And whispers caught, and speeches small,
Some to the green-leaved tree,
Some mutter'd to the torrent-fall,-
"Roar on, and bring him with thy call;
I heard, and so may he !"

Soul-shatter'd was the knight, nor knew
If Emma's ghost it were,

Or boding shade, or if the maid
Her very self stood there.

He touch'd, what follow'd who shall tell?
The soft touch snapp'd the thread

Of slumber-shrieking, back she fell,
And the stream whirl'd her down the dell
Along its foaming bed.

In plunged the knight! when on firm grouna
The rescued maiden lay,

Her eyes grew bright with blissful light,

Confusion pass'd away;

She heard, ere to the throne of grace

Her faithful spirit flew,

His voice; beheld his speaking face,
And, dying, from his own embrace,
She felt that he was true.

So was he reconciled to life;

Brief words may speak the rest;
Within the dell he built a cell,

And there was sorrow's guest;
In hermit's weeds repose he found.
From vain temptations free;
Beside the torrent dwelling-bound
By one deep heart-controlling sound,
And awed to piety.

Wild stream of Aira, hold thy course,
Nor fear memorial lays,

Where clouds that spread in solemn shade
Are edged with golden rays!
Dear art thou to the light of heaven,

Though minister of sorrow;
Sweet is thy voice at pensive even ;
And thou, in lover's hearts forgiven,
Shall take thy place with Yarrow!

WILLIAM LISLE BOWLES.

WILLIAM LISLE BOWLES, of an ancient family in | comparison with those of Dr. Watts, and which are the county of Wilts, was born in the village of admirably calculated to answer the benevolent purKing's-Sutton, Northamptonshire-a parish of pose for which they are designed. which his father was vicar-on the 24th of September, 1762. His mother was the daughter of Dr. Richard Grey, chaplain to Nathaniel Crew, Bishop of Durham. The poet received his early education at Winchester school; and he rose to be the senior boy. He was entered at Trinity College, Oxford, where he obtained the Chancellor's prize for a Latin poem, and where, in 1792, he took his degree. On quitting the university he entered into holy orders, and was appointed to a curacy in Wiltshire; soon afterwards he was preferred to a living in Gloucestershire; in 1803 he became a prebend of Salisbury; and the Archbishop Moore presented him with the rectory of Bremhill, Wilts, where he has since constantly resided,-only now and then visiting the metropolis,-enjoying the country and its peculiar sources of profitable delight; performing with zeal and industry his parochial duties; and beloved by all who dwell within or approach the happy neighbourhood of his residence.

The Sonnets of Bowles (his first publication) appeared in 1793. They were received with considerable applause; and the writer, if he had obtained no other reward for his labours, would have found ample recompense in the fact that they contributed to form the taste and call forth the genius of Coleridge, whom they " delighted and inspired." The author of "Christabel" speaks of himself as having been withdrawn from several perilous errors" by the genial influence of a style of poetry, so tender, and yet so manly,—so natural and real, and yet so dignified and harmonious, as the Sonnets of Mr. Bowles." He was not, however, satisfied with expressing in prose his sense of obligation, but in poetry poured out his gratitude to his first master in minstrel lore:

"My heart has thank'd thee, Bowles, for those soft strains,
Whose sadness soothes me, like the murmuring
Of wild bees in the sunny showers of spring."

In 1805 he published the "Spirit of Discovery by Sea." It is the longest of his productions, and is by some considered his best. The more recent of his works is the "Little Villagers' Verse Book ;" a collection of hymns that will scarcely suffer by

Mr. Bowles some years ago attracted considerable attention by his controversy with Byron on the subject of the writings of Pope. He advanced certain opinions which went to show that he considered him "no poet," and that, according to the "invariable principles" of poetry, the century of fame which had been accorded to the " Essay on Man" was unmerited. Campbell opened the defence; and Byron stepped forward as a warm and somewhat angry advocate. A sort of literary warfare followed; and a host of pamphlets on both sides were rapidly issued. As in all such cases, the question remains precisely where it did. Bowles, however, though he failed in obtaining a victory, and made, we imagine, few converts to his "invariable principles," manifested during the contest so much judgment and ability, that his reputation as a critic was considerably enhanced. The poetry of Bowles has not attained a high degree of popularity. He is appreciated more for the purity of his sentiments than for any loftiness of thought or richness of fancy. He has never dealt with themes that "stir men's minds;" but has satisfied himself with inculcating lessons of sound morality, and has considered that to lead the heart to virtue is the chiefest duty of the Muse. His style is, as Coleridge described it nearly fifty years ago, "tender yet manly;" and he has undoubtedly brought the accessories of harmonious versification and graceful language to the aid of "right thinking" and sound judgment. His poems seldom startle or astonish the reader: he does not labour to probe the heart, and depict the more violent passions of human kind; but he keeps an " even tenor," and never disappoints or dissatisfies by attempting a higher flight than that which he may safely venture.

The main point of his argument against Pope will best exhibit his own character. He considers that from objects sublime or beautiful in themselves, genius will produce more admirable creations than it can from those which are comparatively poor and insignificant. The topics upon which Mr. Bowles has employed his pen are such only as are naturally excellent.

491

THE MISSIONARY.

SCENE.-South America. Characters.-VALDIVIA, commander of the Spanish armies-LAUTARO, his page, a native of Chili-ANSELMO, the missionary-INDIANA, his adopted daughter, wife of Lautaro-ZARINEL, the wandering minstrel. Indians. — ATTACAPAC, father of Lautaro-OLOLA, his daughter, sister of Lautaro-CAUPOLICAN, chief of the

Indians-INDIAN WARRIORS.

The chief event of the poem turns upon the conduct of Lautaro; but as the Missionary acts so distinguished a part, and as the whole of the moral depends upon him, it was thought better to retain the title which was originally given to the poem.

INTRODUCTION.

WHEN o'er th' Atlantic wild, rock'd by the blast,
Sad Lusitania's exiled sovereign pass'd,
Reft of her pomp, from her paternal throne
Cast forth, and wandering to a clime unknown,
To seek a refuge on that distant shore,
That once her country's legions dyed with gore;
Sudden, methought, high-towering o'er the flood,
Hesperian world! thy mighty Genius stood;
Where spread, from cape to cape, from bay to bay,
Serenely blue, the vast Pacific lay;
And the huge Cordilleras, to the skies,
With all their burning summits* seem'd to rise.
Then the stern spirit spoke, and to his voice
The waves and woods replied-" Mountains, re-
joice!

Thou solitary sea, whose billows sweep
The margin of my forests, dark and deep,
Rejoice! the hour is come: the mortal blow,
That smote the golden shrines of Mexico,
In Europe is avenged! and thou, proud Spain,
Now hostile hosts insult thy own domain;
Now fate, vindictive, rolls, with refluent flood,
Back on thy shores the tide of human blood.
Think of my murder'd millions! of the crics
That once I heard from all my kingdoms rise;
Of famine's feeble plaint, of slavery's tear;
Think, too, if valour, freedom, fame, be dear,-
How my Antarctic sons,† undaunted, stood,
Exacting groan for groan, and blood for blood;
And shouted, (may the sounds be hail'd by thee!)

TYRANTS, THE VIRTUOUS AND THE BRAVE ARE
FREE!"

CANTO I.

ARGUMENT.

One day and part of night.

Valley in the Andes-Old Indian warrior-Loss of his son and daughter.

BENEATH aërial cliffs and glittering snows,
The rush-roof of an aged warrior rose,
Chief of the mountain tribes: high overhead
The Andes, wild and desolate, were spread,
Where cold Sierras shot their icy spires,

A glen beneath-a lonely spot of rest-Hung, scarce discover'd, like an eagle's nest.

Summer was in its prime: the parrot-flocks
Darken'd the passing sunshine on the rocks;
The chrysomel and purple butterfly,†
Amid the clear blue light, are wandering by;
The humming-bird, along the myrtle bowers,
With twinkling wing, is spinning o'er the flowers,
The woodpecker is heard with busy bill,
The mock-bird sings--and all beside is still.
And look! the cataract that bursts so high,
As not to mar the deep tranquillity,
The tumult of its dashing fall suspends,
And, stealing drop by drop, in mist descends;
Through whose illumined spray and sprinkling
dews,

Shine to the adverse sun the broken rainbow hues.
Checkering with partial shade the beams of noon,
And arching the gray rock with wild festoon,
Here, its gay net-work and fantastic twine,
The purple cogult threads from pine to pine,
And oft, as the fresh airs of morning breathe,
Dips its long tendrils in the stream beneath.
There, through the trunks, with moss and lichens
white,

The sunshine darts its interrupted light,
And, 'mid the cedar's darksome boughs, illumes,
With instant touch, the Lori's scarlet plumes.

So smiles the scene ;-but can its smiles impart
Aught to console yon mourning warrior's heart?
He heeds not now, when beautifully bright,
The humming-bird is circling in his sight;
Nor e'en, above his head, when air is still,
Hears the green woodpecker's resounding bill
But gazing on the rocks and mountain wild,
Rock after rock, in glittering masses piled
To the volcano's cone, that shoots so high
Gray smoke whose column stains the cloudless sky,
He cries, "O! if thy spirit yet be fled
To the pale kingdoms of the shadowy dead,-
In yonder tract of purest light above,
Dear long-lost object of a father's love,
Dost thou abide or like a shadow come,
Circling the scenes of thy remember'd home,
And passing with the breeze? or, in the beam
of evening, light the desert mountain stream?
Or at deep midnight are thine accents heard,
In the sad notes of that melodious bird,§
Which, as we listen with mysterious dread,
Brings tidings from our friends and fathers dead?

The crysomela is a beautiful insect, of which the young women of Chili make necklaces.

+ The parrot butterfly, peculiar to this part of America, the largest and most brilliant of its kind-Papilio psil tacus.

A most beautiful climbing plant. The vine is of the size of packthread: it climbs on the trees without attaching itself to them: when it reaches the top, it descends perpendicularly; and as it continues to grow, it extends itself from tree to tree, until it offers to the eye a confused tissue, exhibiting some resemblance to the rigging of a

And Chillant trail'd its smoke and smouldering fires. ship.-Molina.

* Range of volcanoes on the summits of the Andes. + The natives of Chili, who were never subdued. A volcano in Chili.

§ "But because I cannot describe all the American Birds, which differ not a little from ours, not only in kind, but also in variety of colour, as rose-colour, red, violet, white, ash-colour, purple, &c.; I will at length describe one, which the barbarians so observe and esteem, that

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