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to my picture.

For I warrant you, Madam a little art once made your picture like you, and how a little of the fame art must make

you like your picture.-Your picture must fit for you, Madam.

Rowland comes; or I shall never keep up comedy.-Sallies of wit might often recur in Mirabel and Millamant, and yet escape cenfure, on account of thefe being perfons of a gay turn and fine education: we might alfo excufe them in Witwou'd, because he may be fupposed to have tudied all his metaphors, fimilies, and repartees but what apology can we admit, or what extenuation can we offer, for the poet, when we see bim lavish this uncommon and estimable quality on Waitwell and Foible, two ignorant fervants? Is it not an apparent abfurdity -Yet thus does this finart waiting-gentlewoman fpeak to her mistress.

La. W. But art thou fure Sir Rowland will not fail to come ?-Or, will he not fail when he does come ?~Will he be importunate, Foible, and puth? For, if he should not be importunate-I fhall never break decorums.- fhall die with confufion if I am forced to advance,-I shall swoon if he should expect advances! -No! I hope Sir Rowland is better bred than to put a lady to the neceffity of breaking her forms-I won't be too coy neither, I won't give him despair ;-but a little disdain is not amiss a little fcorn is alluring.

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« No new theriff's wife expects the return of her husband after knighthood, with that impatience in which Sir Rowland burns for the dear honour of kiffing your ladyship's hand."

And again, fpeaking of Mirabell,

Foi. A little fcorn becomes your lady-He! I hope to fee him lodge in Ludship.

gate firft, and angle into Blackfryars for brafs farthings with an old mitten."

Thus does Waitwell begin his courthip, when disguised for Sir Rowland,

My impatience, Madam, is the effect of my transport, and till I have the poffeffion of your adorable perfon, I am tantalized on the rack, and do but hang, Madam, on the tenter of expectation."

La. W. Yes, but tenderness becomes me beffa fort of a dyingness !—you fee that picture has a fort of a-ha! Foible. A fwimmingness in the eyes.8, I'll look for My niece affects it, but the wants features.Is Sir Rowland handfome? Let my toilet be removed. I'll drefs above.—I'll receive Sir Rowland here. Is he handsome?-Don't answer me: I won't know: I'll be surprised ; intention of being revenged on Mirabel, I'll be taken by furprise.

Foi. By ftorm, Madam.Sir Rowland is a brifk man.

La. W. Is he? O then he'll importúne, if he's a brisk man.-I shall save decorums, if Sir Rowland importunes. I have a mortal terror at the apprehenfion of offending against decorums.-Oh, I arn glad he is a brisk man !"

If this author had had his wit under any fort of command, he might have produced comedies of equal merit with any extant; but, like the falfe fire of a glowworm, it hath misled him in the most un fortunate and unpardonable manner. Inftances of his departing from truth of character to indulge his favourite propenfity, are fo very frequently to be met with, that, were I to enumerate but the tenth part of them, I fhould be fearful to trefpals both on the reader's time and patience; I fhall therefore content myfelf with pointing out two or three; and these I shall select from his Way of the World, as that is justly reckoned his best

And thus does he declare his feigned

›when Lady Wishfor't fays,

Don't kill him at once, Sir Rowland; ftarve him gradually, inch by inch.

"Wait. I'll do't. In three weeks he shall be barefoot, in a month out at knees with begging an alms: he fhall farve upward and upward till he has nothing living but his head, and then go out in a ftink, like a candle's end upon a faveallt"

As a fuperabundance of wit is far from being the defect of our very late comedies, I shall not detain the reader with any more of these quotations; which, while they are neceffary to point out the proper path, (by marking the deviations of eminent men from it) leave at the fame time a difagreeable impreffion on the mind, of the abufe of great powers.

In the pieces which Sir John Vanbrugh hath taken from the French, he can claim no other merit than that of an easy and humorous translator; but his Provoked Wife, and the unfinished sketch he left behind him under the title of a Journey

to

to London, afford us a fufficient proof that he was deficient in application rather than in talents, and mult convince any one who has perufed them with attention, that, had their author exerted himself properly, few would have come up to him in that difficult fpecies of writing, for which his fprightly wit and fertile genius had fo well qualified him.-Sir John Brute was a character quite new to the ftage (tho' too frequent in ordinary life) till Vanbrugh dafhed it with fuch inimitable ftrokes of humour and nature, as to make it one of the most fingular, original, and entertaining on our theatre.

Regnard, whom we may oppofe indifferently to either of the above mentioned authors, hath produced fome pieces of great merit, and feems univerfally to hold the next place to Moliere among the French comic writers, tho' Dancourt by the following lines feems willing to dif pute with him that honour.

"Pres du public je tache a trouver grace,

"C'eft fon gout qui forme le mien; "Comme il lui plait, j'ajoute, change, efface

"Dans tout ce qui j'ecris, et fe me trouve bien

"De ne m'ecarter point du chemin qu'il me trace;

Trop heureux fi par ce moyen, " Quand Moliere eft affis le premier au Parnaffe,

fi

"Je pouvois prendre un jour mon rang pres du fien, "Qu'entre nous deux aucun autre n'eut place."

Notwithstanding this self-sufficient with, Regnard, with great justice ftill keeps his ground. His plots are better contrived. than Moliere's, his characters in general bold and striking, his dialogue lively and just. If we examine his pieces fingly they will not all indeed appear equal: his Democrite, for inftance, tho' it has its beauties, is rather infipid, and his Folies Amoureuses, the' extremely diverting, is wild and out of nature; but his Legataire and Diftrait are exceeding good come dies; and his Joueur is, I think, equal in every refpect to any on the French stage. All the tranfitions in the chief character are managed with confummate art; we find all his paffions take their fpring from his predominant paffion, the itch of play; and the effect this ftrong bias of his

mind hath on his love is natural and well hit off. When his pocket is low, he immediately thinks of his mistress, and almoft deceives himself into a belief that he has a real passion for her; but no fooner hath fortune favoured him at the gaming-table than his love vanishes, and the profpect of further gain engroffes all his thoughts. Thus he speaks to his fervant after winning confiderably:

fur ma paffion « J'ai fait entre quittant quelque reflexion. "Je ne fuis point de tout ne pour le mariage.

"Des parens, des enfans, une femme, un menage,

Tout cela me fait peur; j'aime la li

berte.

"... Il n'est point dans la monde un Qui celui d'un joueur; sa vie eft agreetat plus aimable,

able,

"Ses jours font enchainez par des plaifirs nouveaux,

"Comedie, opera, bonne-chere, cadeaux ; "Il traine en tous les lieux la joie et l'a bondance.

"On voit regner fur lui l'air de magnificence,

"Tabatieres, bijoux, sapoche est un trefor,

"Sous fes heureuses mains la cuivre devient, or;

"Hec. Et l'or devient a rien."

Obferve the contrast when the dice have taken another turn, and left him without a shilling.

"Ah! charmante Angelique! "A vos feules bontes je veux avoir re

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This is nature; and the poet is deferving of praife for not making his Gamefter reform, but keeping up his character to the very end of the play. He had many examples before him of an oppofite conduct, for it feems an established rule with all the modern dramatists that the hero of a comedy, be he ever fo faulty, hall lay afide every one of his imperfections at the winding up of the cataitrophe, and become a new man, for no other earthly reafon, but that the poet forfooth wants to get him off his hands by marrying him to the heroine of the piece, to be duly

qualified

qualified for which exalted happiness he must be free from vice, and, in one inftant entirely change his character. Now Regnard by following a different method in the inftance before us, hath preferved probability, and at the fame time executed poetical juftice: but it were to be withed he had been as careful of this laft article in fome of his other plays, as in the one we are speaking of. Here a vicious propenfity is exhibited in an unfavourable light, and is properly punished; but in the Legataire a fcene of fuch confummate villainy is prefented to our view, that, if it was not heightened with the fineft touches of humour (which however, only make the author the more culpable) we fhould be more apt to fhudder than to laugh at it.While the French fuffer this piece, La Femme d'intrigues, George Dandin †, Les Bourgeoifes a la mode, and

ΝΟΤΕ.

I should be apt to imagine, that a man of Regnard's fine genius might, if he had pleated, have found fome method of introducing this truly comic, though dangerous incident, without leaving his play open to the imputation which, as it ftands, muft ever attend it. Suppofe the fervant had contrived the fcheme without his father's knowledge or participation; that the young man on a difcovery of it, had exclaimed loudly against the bafenefs of the device; and that the father, ftruck with his filial affection, and the generofity of his fentiments, had acted from reafon and choice, as he is made to do from ftratagem and compulfion: befides which, the fervant fhould be feverely punished for his wicked intention.-On the contrary, as the ingenious, but immortal author has managed it, the gentleman (who is propofed as a model for imitation) is confenting to, and prefent at, the fhocking contrivance.-—But after all, I humbly conceive it would have been better not to have brought this incident on the stage at all; fo furely that tranfient gleam of pleafure which is purchased at the expence of virtue and innocence is dearly bought, and can yield but little fatisfaction on reflexion.

This is the original of Sir John Vanbrugh's Confederacy, and, if our countryman is praife-worthy in fo well transfufing the wit of his author into his piece, he is not lefs blameable in having followed his indecent, and immoral catastrophe.

and fome others to be reprefented on their ftage, they muft forbear to call it "a "ichool of good morals."

Our Farquhar is certainly not the most correct or laborious writer, but his dialogue is generally natural without infipidity, fprightly without quaintnefs, quibble, or buffoonery, and witty without that affectation of metaphor, fimile, and allufion which flowed fo profufely from Con-' greve's pen, and threw an air of study on his plays, which is totally inconfiftent with ordinary converfation-The works of this author do not indeed abound with moral leffons, or exalted fentiments, but his comedies are bufy, and extremely well calculated for theatrical representation, and they can claim a ftill higher praife, I mean that of containing many welldrawn and truly original characters.-Of this number may justly be reckoned Duretete in the Inconftant, and the Midwife in the Twin-Rivals.-The awkward bashfulness of the first in women's company is however not natural in a Parifian; the character is therefore fo far faulty, but, confidered in itself, it hath a good deal of merit, and gives rife to fome comic incidents.-Mrs. Mandrake is ftill fuperior to it, being perhaps one of the moft masterly on our theatre; her cant, her cunning and villainy of every kind, are painted in the ftrongeft colours, and, though the Nurfe in Romeo and Juliet may have fuggefted fome ftrokes in it, yet these are so very trifling, that the character may with great juftice be filed an original one. This play being "feldom acted, tempted Mr. Foote to new-model this character in his humorous piece, called the Minor: the ufe that has been made of Mandrake in Mrs. Cole is too palpable to be overlooked; and all the humour which this facetious pilferer has thrown into that will never make it cease to be a copy, tho' a bold one from Farquhar.-In the Tatler (Numb. 19) we find the following paragraph concerning The Trip to the Jubilee." This performance is the greatest inftance that we can have of the irrefiftible force of proper action. The dialogue in itself has fomething too low to bear a criticifm upon it; but Mr. Wilks enters into the part with fo much skill, that the gallantry, the youth, and gaiety, of a young man of a plentiful fortune, is looked upon with as much indulgence on the stage as in real

life,

life, without any of thofe intermixtures mon life, with an agreeable badinage to of wit and humour which ufually prepof- be found in his dramatic compofitions. fefs us in favour of fuch characters in other plays."-Being led away by authority is one of the greatest evils in the literary community: would every one be at the pains of confidering and judging for themselves, as they have an undoubted right to do, so many falfe axioms in tafte (as well as in matters of greater confequence) would not have established themfelves on the mere ftrength of a name. With fubmiffion then to the author of the above paper, I must beg leave to give a contrary opinion with respect at leaft, to the chief character of this entertaining comedy, which appears to me to have the merit of originality in a very high degree; and this, by the bye, is a circumftance of more confequence, and will make it live Jonger than being over feafoned with wit and humour, of both which however it will perhaps be found on infpection to have a fufficient fhare.--In respect of eafe Farquhar may be compared to Dancourt who feems to have written with extraordinary facility and dispatch, but paid no great regard either to delicacy of fentiment, or feverity of moral. In his Bourgeoifes a la mode, (mentioned above) a mean fharper is introduced in the light of a fashionable and even amiable character, and is rewarded with a young wife of beauty and fortune, when, in truth, his conduct is much more deferving of a halter.-In Le Chevalier a la mode, and La Femme d'intrigues, the fame depravity of morals is obfervable; as likewife in Les Vendanges de Surene, Le Moulin de Javell, and the greater part of his farces, in which the molt agreeable and fhining characters are generally caft-off miftreffes, fharpers, bullies, bawds, and pimps.If any one may be allowed to form a judgment of this writer's heart from his works, one cannot help pronouncing it mean and contracted. But though his heart might be corrupt, his head appears to have been clear and penetrating. He is held at prefent in-no very great eftcem in his own country; fome late writers having even configned all his works to oblivion; yet I cannot help thinking that there are great fpirit and vivacity in his dialogue; fome thing original in a few of his characters, and that in general there is much of com

*See Le Voyageur Philofophe. October, 1766.

-To return to our authors. All the filly common-place raillery which the late Laureat's difpute with Mr. Pope occafioned to be thrown out against him, has at length fubfided, and he is now univerfally looked upon as an author to whom the English ttage is greatly indebted.-His genius indeed was by no means adapted to Tragedy; but almoft. all his Comedies are ftock-plays, and afford us a daily fource of entertainment :" they are written with a complete knowledge of the theatre, and exhibit a faithful picture of their author's time and nation: fome fcenes of them, it must be owned, are liable to the centre of being rather too free, but the moral of mott of them is not bad on the whole.-This writer's Carelefs Hufband hath been much and defervedly admired for the unaffected elegance of its tyle, the exact connection and fimplicity of its fable, the eafy pleafantry of its dialogue, and the great beauty of its fentiments; on all which accounts, it is, with great juftice, generally looked upon as the ftandard of genteel Comedy-Sir Richard Steel's Confcious Lovers is a very extraordinary piece.The reputation of decency, which it almoft univerfally enjoys, muft, I think, appear totally unmerited to any one that reads the character of Cimberton with attention: there is certainly fomething very noble and generous in the part of Young Bevil; but the piece notwithfanding is very far from being a model, and, like Addifon's Cato, is partly indebted for its extenfive fame to chance and prejudice.-The Duke of Buckingham's Rehearfal (which should have been fooner mentioned) was very near of as much fervice to us as Cervantes' famous Romance was to his countrymen.--It exploded that vicious tafte for falle gallantry, fimilies and rhine, which had been first brought over from France, and entirely disfigured our ftage; it was the means of fubftituting fenfe in the place of found, and of bringing back our Poets to the Audy of nature -The beft proof of the fuperior excellence of this piece is, that the fatire of it pleafes even now, though we know hardly fo much as the names of the lamentable Tragedies which it ridicules. -About half a century later appeared the Beggar's Opera, another excellent fatire, which hath Lill

pleafed

to ourfelves; for, if we confider him as our maker, we cannot contend with him; if as our father, we ought not to distrust him; fo that we may be confident, whatever he does is intended for good, and whatever happens that we interpret otherwife, yet we can get nothing by repining, nor fave any thing by refifting.

pleafed equally after every repetition. This indeed had not the fame fuccefs with the former piece; we ftill fee Foreigners (mutilated Foreigners) abfurdly careffed, whofe only merit confifts in warbling an enervating an However, we have feen the time when this folly ran much higher; and as it has of late fomewhat decreafed, we may hope the period will yet arrive when the manly mulic of Purcel, Handei, and Boyce, with the joyous airs of Arne, will be deemed fufficient for the entertainment of our lovers of harmony, and when they will not disdain to hear them executed by their own countrymen. -Though Mr Addifon is at present allowed, on all hands, to have failed in his attempt to give his nation a perfect tragedy, yet he has admirably fucceeded in the oppofite fpecies of the drama.-One of his chief talents was humour, witness his inimitable Effays in the Spectator, and fo great a fhare of it has he thrown into his comedy of the Drummer, with fo little feeming effort, that it pleases every clafs of readers, and promifes to live as long as our language. The methodical exactness of Vellum is finely touched, and the courtship between him and Abigail has not perhaps been exceeded on any theatre. The very characters of the fervants have great merit, and that of Tinfel contains a most lively and excellent fatire on wilful infidelity.

W. Z.

(To be continued) Letter from Sir William Temple to the Countess of Effex, upon her Grief occefioned by the Lofs of her only Daughter.

TH

Sheen, Jan. 29, 1674. HE honour I received by a letter from your ladyship, was too great and too fenfible not to be acknowledged; but yet I doubted whether that occafion could bear me out in the confidence of giving your lady fhip any further troubles of this kind, without as good an errand as my laft.

I know no duty in religion more generally agreed on, nor more juttly required by God Almighty, than a perfect fub miffion to his will in all things; nor do I think any difpofition of mind can either pleafe him more, or become us better, than that of being fatisfied with all he gives, and contented with all he takes away. None, 1 am fure, can be of inore honour to God, nor of more cafe

But if it were fit for us to reason with God Almighty, and your ladyship's lofs be acknowledged as great as it could have been to any one alive; yet, I doubt, you would have but ill grace to complain at the rate you have done, or rather as you do; for the first motions and paffions, how violent foever, may be pardoned; and it is only the courfe of them which makes them inexcufable. In this world, madam, there is nothing perfectly good; and whatever is called fo, is but either comparatively with other things of its kind, or eife with the evil that is mingled in its composition; fo he is a good man that is better than men commonly are, or in whom the good qualities are more than the bad; fo in the courfe of life, his condition is efteemed good, which is better than that of moft other men, or wherein the good circumstances are more than the ill. By this measure, I doubt, Madam, your complaints ought to be turned into acknowledgments, and your friends would have caufe to rejoice rather than condole with you; for the goods or bleflings of life are ufually esteemed to be birth, health, beauty, friends, children, honour, riches. Now when your ladyship has dealt with you in what he has given you fairly confidered how God Almighty has of all thefe, you may be left to judge your felf how you have dealt with him in your complaints for what he has taken away. But if you look about you, and confider other lives as well as your own, and what your lot is in comparison with those that have been drawn in the circle of your knowledge; if you think how few are born with honour, how many die out name or children, how little beat we fee, how few friends we hear of, how many diseases, and how much poverty there is in the world, you will fall down upon your knees, and inftead of repining at one affliction, will admire fo many bleffings as you have received at the hand of God.

'Tis true, you have loft a child, ard therein all that could be loft in a child

of

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