The Verdi-Boito Correspondence

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University of Chicago Press, 25.07.1994 г. - 321 страници
These 301 letters between Giuseppe Verdi and his last, most gifted librettist, Arrigo Boito, document an extraordinary chapter in musical history. Now available in a new English edition prepared by William Weaver, this correspondence records a unique friendship and its creative legacy with an arresting immediacy. This new edition of the landmark Carteggio Verdi-Boito is at once an essential source of information for all students, teachers, and scholars and a fascinating picture of the daily life of European art and artists during the crucial, fertile last decades of the 19th century. It is all set against the personal story of two very private figures - the aging maestro and the younger poet who became his close collaborator and trusted friend. Brought together after much maneuvering by the publisher Giulio Ricordi (brilliantly chronicled in Marcello Conati's new introduction to this volume), Verdi and Boito began working together in 1880 when the composer was 67 and, having given the world Aida and the Requiem believed his public career as a composer was over. Poet, critic, and librettist, Boito, then in his late 30s, was also a composer: his opera Mefistofele, initially a failure, had just been reworked and triumphantly revived. Embarking on a 20-year collaboration, the two produced a successful revision of Simon Boccanegra and what many consider to be Verdi's greatest operas, Otello and Falstaff, thanks both to Boito's poetry and to his tactful handling of the composer. Here are the day-to-day tasks of creation: poet and composer debating problems of dramatic structure, words, phrases, and meters; altering dialogue as, at the same time, they converse about the wider worlds of art andmusic. The give and take of artistic creation is rendered in brilliant and intimate detail. This edition features a new introduction by Marcello Conati, additions and updates to the original edition, and an appendix of key libretto passages in the original language. William Weaver's translation is characteristically pitch-perfect; he also provides a brief closing sketch of Boito's life after the death of his beloved maestro, and additional material for the English reader. Concise, explanatory linking texts between the letters create a dramatic, flowing narrative.
 

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THE VERDI-BOITO CORRESPONDENCE

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Twenty years (1880-1900) of indispensable letters between Italy's greatest opera composer and his last, most accomplished librettist. In a lengthy, fully annotated, and excellent introduction to this ... Прочетете пълната рецензия

The Verdi-Boito correspondence

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Gifted Italian poet/composer Boito was the librettist for Verdi's last and perhaps greatest operas, Otello and Falstaff. He shared a deep artistic sympathy with Verdi in their finely matched duet, and ... Прочетете пълната рецензия

Съдържание

Preface by William Weaver
vii
LETTERS l
277

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Информация за автора (1994)

Marcello Conati is one of the world’s leading Verdi scholars. Mario Medici was founder and first director of the Istituto Nazionale di Studi Verdiani in Parma. William Weaver (1923–2013) was the award-winning translator of Pirandello, Calvino, and Eco. In addition to translations of Verdi librettos, he published Verdi: A Documentary Study and coedited The Verdi Companion.

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