Comic Transformations in ShakespeareMethuen, 1980 - 242 страници In this study of Shakespeare's ten early comedies, from "The Comedy of Errors" to "Twelfth Night," the concept of a dynamic of comic form is developed. |
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Страница 24
... marks in gold : " Tis dinner - time , ' quoth I : ' My gold ! ' quoth he . ' Will you come ? ' quoth I : ' My gold ! ' quoth he ; ' Where is the thousand marks I gave thee , 24 COMIC TRANSFORMATIONS IN SHAKESPEARE.
... marks in gold : " Tis dinner - time , ' quoth I : ' My gold ! ' quoth he . ' Will you come ? ' quoth I : ' My gold ! ' quoth he ; ' Where is the thousand marks I gave thee , 24 COMIC TRANSFORMATIONS IN SHAKESPEARE.
Страница 130
... marks a totally imagined individual utterance . It is truly ' language in action ' , as Burkhardt has defined dramatic speech , 18 and it completes and fills out one of the scenes on which we ground our perception of the dynamic realism ...
... marks a totally imagined individual utterance . It is truly ' language in action ' , as Burkhardt has defined dramatic speech , 18 and it completes and fills out one of the scenes on which we ground our perception of the dynamic realism ...
Страница 167
... marks you . ' ( I. i . 116–17 ) is an interesting opening ploy . It trans- lates into a whole set of messages ... mark you , you great fool , not being marked being the greatest punishment possible to a boaster like yourself , and there ...
... marks you . ' ( I. i . 116–17 ) is an interesting opening ploy . It trans- lates into a whole set of messages ... mark you , you great fool , not being marked being the greatest punishment possible to a boaster like yourself , and there ...
Съдържание
My glass and not my brother | 22 |
Kate of Kate Hall | 37 |
The Two Gentlemen of Verona | 53 |
Авторско право | |
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Често срещани думи и фрази
Alazon Antipholus Antonio Armado audience Bassanio Beatrice and Benedick Belmont Berowne Berowne's characters Claudio Comedy of Errors comic device comic disposition comic pleasure courtly courtly love daughter Demetrius dialectic disguise doth double dramatic Duke early comedies effect Eiron eyes Falstaff fantasy father Festive folly fool Ganymede Gentlemen Hal's hath heart Helena Hermia identities Illyria imagination invited ironic Jaques Julia Kate knot of errors ladies London Love's Labour's Lost lovers Malvolio marriage mask matter Merry Wives Methuen Midsummer Night's Dream mind mock mockery nature Olivia Orlando Orsino parody passion perceive Petruchio play play's plot processus turbarum protagonists Proteus remedy role romantic romantic love Rosalind says scene Shakespeare Our Contemporary Shakespeare's Comedy Shrew Shylock Silvia speak speech spirit suitor Terentian thee Theseus thou tion transformed Twelfth Night twins unmasking Valentine Valentine's Viola wisdom witty young