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when yet in the years of my infancy. The beautiful visions of his pathetic imagination had stamped a soft and delicious, but deep and indelible impression on my mind, long before I had heard the very name of criticism; perhaps before any of the literature of the present age existed-certainly long, very long, before I ever dreamt of its existence. The very names of the heroes and heroines of his delightful stories, sounded in my ears like the echoes of some old romantic melody, too simple, and too beautiful, to have been framed in these degenerate overscientific days. Harley-La Roche-Montalban-Julia de Roubigné-what graceful mellow music is in the well-remembered cadences -the 66 παλαιων ὀνοματ' ονειρων !" And I was in truth to see "in the flesh" the hoary magician, whose wand had called those ethereal creations into everlasting being. A year before, I should have entertained almost as much hope of sitting at the same table with Goldsmith, or Sterne, or Addison, or any of those mild spirits so far removed from οι νυν βροτοι εσμεν,

Our nature

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For the first time in my life, I could not help being ashamed of my youth, and feeling, as if it

were presumption in me to approach, in the

garb of modern days, the last living relics of that venerable school.

The appearance of the fine old man had no tendency to dissipate the feelings I have just attempted to describe. I found him in his library, surrounded with a very large collection of books -few of them apparently new ones-seated in a high-backed easy chair-the wood-work carved very richly in the ancient French taste, and covered with black hair-cloth. On his head he wore a low cap of black velvet, like those which we see in almost all the pictures of Pope. But there needed none of these accessories to carry back the imagination. It is impossible that I should paint to you the full image of that face. The only one I ever saw which bore any resemblance to its character, was that of Warren Hastings-you well remember the effect it produced, when he appeared among all that magnificent assemblage, to take his degree at the installation of Lord Grenville. In the countenance of Mackenzie, there is the same clear transparency of skin, the same freshness of complexion, in the midst of all the extenuation of old age. The wrinkles, too, are set close to each other, line upon line; not deep and bold, and rugged, like those of most old men, but

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equal and undivided over the whole surface, as if no touch but that of time had been there, and as if even He had traced the vestiges of his dominion with a sure indeed, but with a delicate and reverential finger. The lineaments have all the appearance of having been beautifully shaped, but the want of his teeth has thrown them out of their natural relation to each other. The eyes alone have bid defiance to the approach of the adversary. Beneath bleached and hoary brows, and surrounded with innumerable wrinkles, they are still as tenderly, as brightly blue, as full of all the various eloquence and fire of passion, as they could have been in the most vivacious of his days, when they were lighted up with that purest and loftiest of all earthly flames, the first secret triumph of conscious and conceiving ge

nius.

By and by, Mr Mackenzie withdrew into his closet, and having there thrown off his slippers, and exchanged his cap for a brown wig, he conducted me to the drawing-room. His family were already assembled to receive us-his wife, just as I should have wished to picture her, a graceful old lady, with much of the remains of beauty, clothed in an open gown of black silk, with deep flounces, and having a high cap, with

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