The Lives of the Most Celebrated English Poets, with Criticisms. Extracted from D. JohnsonGalignani, 1805 - 312 страници |
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Страница 32
... The Prince's Escape at St. Andero , " a piece in which his versification was such as it appears in his last performances . His next poem is supposed to be " The Address to the Queen , " written in his twentieth year 32 COWLEY .
... The Prince's Escape at St. Andero , " a piece in which his versification was such as it appears in his last performances . His next poem is supposed to be " The Address to the Queen , " written in his twentieth year 32 COWLEY .
Страница 33
... , should have been left floating in conjectural probability . " From his twenty - eighth to his thirty - fifth year he wrote his pieces on " the Reduction of Sallee ; on the Reparation of St. Paul's ; to the King WALLER . 33.
... , should have been left floating in conjectural probability . " From his twenty - eighth to his thirty - fifth year he wrote his pieces on " the Reduction of Sallee ; on the Reparation of St. Paul's ; to the King WALLER . 33.
Страница 35
... pieces . He continued , however , to sit in the re- bellious conventicle , but spoke with great freedom against the sense and spirit of the house . The engagement known by the name of Waller's plot was now discovered , when he ...
... pieces . He continued , however , to sit in the re- bellious conventicle , but spoke with great freedom against the sense and spirit of the house . The engagement known by the name of Waller's plot was now discovered , when he ...
Страница 41
... pieces he endeavours to be gay , in the larger to be great . Of his airy and light productions the chief course is gallantry , that attentive reverence of female excel- lence which has descended to us from the Gothic age . As his poems ...
... pieces he endeavours to be gay , in the larger to be great . Of his airy and light productions the chief course is gallantry , that attentive reverence of female excel- lence which has descended to us from the Gothic age . As his poems ...
Страница 69
... piece was a comedy called the " Wild Gallant ; " but it was so much disapproved that he was com- pelled to recal it , and change it from its imperfect state to the form in which it now appears . In 1664 he published the " Rival Ladies ...
... piece was a comedy called the " Wild Gallant ; " but it was so much disapproved that he was com- pelled to recal it , and change it from its imperfect state to the form in which it now appears . In 1664 he published the " Rival Ladies ...
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acquaintance Addison Æneid afterwards appeared became Ben Jonson blank verse born called character church College comedy compositions court Cowley criticism daughter death delight diction died dramatic Dryden Dunciad Earl elegance eminent English English poetry Essay esteem excellence father favour friends friendship gave genius guineas honour Hudibras hundred pounds Iliad images Ireland JOHN MILTON Johnson kind King Kit-cat Club labour language Latin learning lived London Lord manner master Milton mind mother nature never numbers occasion Oxford Oxfordshire Paradise Lost performance perhaps pieces play poem poet poetical poetry Pope praise Prior produced published Queen received reputation retired returned rhyme satire Savage says seems sent sentiments Shakespeare shew sometimes soon Spenser stage supposed Swift thought tion told tragedy translated verse versification Waller Westminster Abbey Whigs William Davenant William Shakespeare Winchester College write written wrote
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Страница 291 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was (indeed) honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions...
Страница 114 - Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Страница 63 - But of all the borrowers from Homer, Milton is perhaps the least indebted. He was naturally a thinker for himself, confident of his own abilities, and disdainful of help or hindrance : he did not refuse admission to the thoughts or images of his predecessors, but he did not seek them.
Страница 252 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Страница 78 - Every thing is excused by the play of images and the spriteliness of expression. Though all is easy, nothing is feeble; though all seems careless, there is nothing harsh; and though since his earlier works more than a century has passed they have nothing yet uncouth or obsolete.
Страница 309 - For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow, and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble, with too much conceiving; And, so sepulchred, in such pomp dost lie, That kings for such a tomb would wish to die.
Страница 78 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled; every word seems to drop by chance, though it falls into its proper place.
Страница 79 - The power that predominated in his intellectual operations was rather strong reason than quick sensibility. Upon all occasions that were presented, he studied rather than felt, and produced sentiments not such as nature enforces, but meditation supplies.
Страница 112 - Cato' it has been not unjustly determined, that it is rather a poem in dialogue than a drama, rather a succession of just sentiments in elegant language, than a representation of natural affections, or of any state probable or possible in human life. Nothing here " excites or assuages emotion :" here is " no magical power of raising fantastic terror or wild anxiety.
Страница 132 - Looking tranquillity ! It strikes an awe And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chillness to my trembling heart. Give me thy hand, and let me hear thy voice; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.