Film Theory: Critical Concepts in Media and Cultural StudiesPhilip Simpson, Andrew Utterson, Karen J. Shepherdson Taylor & Francis, 2004 - 416 страници This major new collection identifies the critical and theoretical concepts which have been most significant in the study of film and presents a historical and intellectual context for the material examined. |
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Страница v
... spectator 78 TOM GUNNING 51 " The finest outside the Loop " : motion picture exhibition in Chicago's Black Metropolis , 1905-1928 96 MARY CARBINE 52 Feminine fascinations : a question of identification ? 125 JACKIE STACEY PART 8 ...
... spectator 78 TOM GUNNING 51 " The finest outside the Loop " : motion picture exhibition in Chicago's Black Metropolis , 1905-1928 96 MARY CARBINE 52 Feminine fascinations : a question of identification ? 125 JACKIE STACEY PART 8 ...
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Съдържание
The Lumière cinematograph | 7 |
Visual pleasure and narrative cinema | 56 |
early film and the incredulous | 78 |
motion picture exhibition | 96 |
a question of identification? | 125 |
The Negro actor and the American movies | 167 |
Womens cinema as countercinema | 183 |
White | 213 |
questions of appropriation and subversion | 249 |
gender sexuality and Hollywoods | 267 |
PART 9 | 289 |
For an imperfect cinema | 314 |
the stereotype and colonial discourse | 335 |
Towards a critical theory of Third World films | 355 |
Outside in inside out | 375 |
on Johnny Weissmullers Tarzan | 398 |
Често срещани думи и фрази
action heroine activity aesthetic articulation artistic Asta Nielsen audience become Bette Davis black female black women Born in Flames British Film Institute camera characters China O'Brien cinemagoers colonial discourse concept construction context critical cultural desire dominant dramas entertainment erotic essay Fanon fantasy female spectators feminine feminism feminist film feminist film theory fetish film theory film-maker Frantz Fanon gaze gender hero heterosexual Hollywood homosexual ideal identification identity ideology interest jazz language Laura Mulvey lesbian lives look male masculine mass means movie narrative Negro norms object orchestra performance play pleasure political popular position possible practices production question race racial recognition relation representation represented response revolutionary role scopophilia screen sense sexual social spectatorship star stereotype struggle symbolic Tarzan theatre third cinema Third World Third World films tion traditional viewer visual woman women's cinema workers