Separate Theaters: Bethlem ("Bedlam") Hospital and the Shakespearean StageUniversity of Delaware Press, 2005 - 309 страници This book seeks to update the still standard reference on the topic of London's notorious psychiatric hospital, Bethlem, and the Shakespearean stage - Robert Reed's Bedlam on the Jacobean Stage (1953) - by challenging its assumption that Bethlem was a house of horrors that showed its patients to visitors for entertainment, a practice supposedly then depicted on the stage to please primitive tastes. As the recent History of Bethlem has suggested, the hospital was first and foremost a charity, one that showed its patients to elicit alms for the mad poor. Seeing the mad poor living in squalor moved people to give; that some spectators also laughed at this show may complicate, but does not contradict, Bethlem's charitable function. In contrast to our popular understanding of charity, which generally involves the efforts of the givers to at least mask any feelings of contempt for recipients, early modern charitable impulses coexisted easily with a clear disgust for and a- willingness to laugh at the recipients of charity. |
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Страница 12
... see , in outlining this narrative covering seven hundred years , Beth- lem's historians admit they are far from having all the necessary answers about Bethlem and its complex show's relationship to charity 12 SEPARATE THEATERS.
... see , in outlining this narrative covering seven hundred years , Beth- lem's historians admit they are far from having all the necessary answers about Bethlem and its complex show's relationship to charity 12 SEPARATE THEATERS.
Страница 13
... complex show's relationship to charity , particularly in the years 1598 to 1630 . But by re - situating the hospital in this general context the new historians have severely complicated our old " Jonsonian " un- derstanding of Bethlem ...
... complex show's relationship to charity , particularly in the years 1598 to 1630 . But by re - situating the hospital in this general context the new historians have severely complicated our old " Jonsonian " un- derstanding of Bethlem ...
Страница 19
... actually end up playing a rather surprisingly significant and telling role in the development of early English dramatic art . There was , in other words , a rather complex artistic argument that led to INTRODUCTION 19.
... actually end up playing a rather surprisingly significant and telling role in the development of early English dramatic art . There was , in other words , a rather complex artistic argument that led to INTRODUCTION 19.
Страница 20
... complex artistic argument that led to the appear- ance of the show of Bethlem on the stage when and how it did , and one has to grapple with these theoretical , literary matters about art as one teases out any historical " facts " about ...
... complex artistic argument that led to the appear- ance of the show of Bethlem on the stage when and how it did , and one has to grapple with these theoretical , literary matters about art as one teases out any historical " facts " about ...
Страница 42
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Съдържание
11 | |
A pastime That Can prompt us to have mercy Putting Malvolio Ben Jonson? in a Dark Room | 46 |
Though this be madness yet there is method int Poetaster Satiromastix and Shakespeares Defense of the Popular Stage in Hamlet | 79 |
A very piteous sight The Magnificent Entertainment The Honest Whore Part One The Honest Whore Part Two | 106 |
Making Bethlem a Jest and Conceding to Jonson in Westward Ho Eastward Ho and Northward Ho | 132 |
I know not Where I did lodge last night? Shakespeares King Lear and the Search for Bethlem Bedlam Hospital | 154 |
Twin shows of madness John Websters Stage Management of Bethlem in The Duchess of Malfi | 183 |
Shadows and Shows of Charity The Changeling The Pilgrim and the Protestant Critique of Catholic Good Works | 204 |
Foucault was right? | 235 |
Notes | 263 |
Bibliography | 292 |
303 | |
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Често срещани думи и фрази
Alibius Alinda Antonio argues audience Bedlam Bednarz beggars Bellamont Ben Jonson Beth Bethlem Hospital Bosola Bridewell Candido caritas Catholic century Changeling character charitable show citizen figure confinement critical critique culture cure Deflores Dekker and Middleton Dekker and Webster Dionysian dramatic Duchess of Malfi early modern Eastward Ho Edgar elicit pity England entertainment Fletcher fool Foucault gallants gulling Hamlet Hieronimo Hippolito historians History of Bethlem Honest Whore hospital hovel humours Ibid institutions Jacobean Jonson Jonsonian King Lear literary London madhouse madmen Madness and Civilization Malvolio Medieval mocking ness Northward Ho patients perverse play play's playwrights Poetaster poetry Poets Polonius poor laws poor relief popular stage Prospero reason Reformation relationship Renaissance representational stage response Roy Porter Satiromastix scene seems sense Shakespeare show of Bethlem show of madness social suggested theater of Bethlem theatrical thlem Thomas Thorello tion tragedy tragic understanding visitation
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Страница 24 - The lunatic, the lover, and the poet Are of Imagination all compact. One sees more devils than vast hell can hold; That is, the madman. The lover, all as frantic, Sees Helen's beauty in a brow of Egypt. The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as Imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name.
Страница 25 - But all the story of the night told over, And all their minds transfigured so together, More witnesseth than fancy's images, And grows to something of great constancy ; But, howsoever, strange and admirable.