World-wide Shakespeares: Local Appropriations in Film and PerformanceSonia Massai Taylor & Francis, 2005 - 199 страници Drawing on debates around the global/local dimensions of cultural production, an international team of contributors explore the appropriation of Shakespeare's plays in film and performance around the world. In particular, the book examines the ways in which adapters and directors have put Shakespeare into dialogue with local traditions and contexts. The contributors look in turn at 'local' Shakespeares for local, national and international audiences, covering a range of English and foreign appropriations that challenge geographical and cultural oppositions between 'centre' and 'periphery', and 'big-time' and 'small-time' Shakespeares. Responding to a surge of critical interest in the poetics and politics of appropriation, World-Wide Shakespeares is a valuable resource for those interested in the afterlife of Shakespeare in film and performance globally. |
Съдържание
A Branch of the Blue Nile Derek Walcott and the tropic of Shakespeare | 15 |
Political Pericles | 23 |
Shylock as cryptoJew A new Mexican adaptation of The Merchant of Venice | 31 |
Negotiating intercultural spaces Much Ado About Nothing and Romeo and Juliet on the Chinese stage | 40 |
It is the bloody business which informs thus Local politics and performative praxis Macbeth in India | 47 |
Relocating and dislocating Shakespeare in Robert Sturuas Twelfth Night and Alexander Morfovs The Tempest | 57 |
I am not bound to please thee with my answers The Merchant of Venice on the postwar German stage | 65 |
Katherina humanized Abusing the Shrew on the Prague stage | 72 |
Meaning by Shakespeare south of the border | 104 |
Dreams of England | 112 |
The cultural logic of correcting The Merchant of Venice | 122 |
Dancing with art Robert Lepages Elsinore | 133 |
Hekepia? The Mana1 of the Maori Merchant | 141 |
The Haiku Macbeth Shakespearean antithetical minimalism in Kurosawas Kumonosujo | 149 |
Afterword | 157 |
Notes | 161 |
Shooting the Hero The cinematic career of Henry V from Laurence Olivier to Philip Purser | 80 |
Lamentable tragedy or black comedy? Friedrich Durrenmatts adaptation of Titus Andronicus | 88 |
Subjection and redemption in Pasolinis Othello | 95 |
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Други издания - Преглед на всички
World-Wide Shakespeares: Local Appropriations in Film and Performance Sonia Massai Ограничен достъп - 2007 |
World-Wide Shakespeares: Local Appropriations in Film and Performance Sonia Massai Ограничен достъп - 2007 |