Commentary on Shakespeare's Richard IIIRoutledge, 11.10.2013 г. - 272 страници First published in 1968. Providing a detailed and rigorous analysis of Richard III, this Commentary reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare. |
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Страница xii
... Moral History see the edition of A. P. Rossiter ( 1946 ) . For Marlowe's plays The Works of Christopher Marlowe , ed . C. F. Tucker Brooke ( 1910 ) has been used . The following abbreviations have been used for frequently quoted books ...
... Moral History see the edition of A. P. Rossiter ( 1946 ) . For Marlowe's plays The Works of Christopher Marlowe , ed . C. F. Tucker Brooke ( 1910 ) has been used . The following abbreviations have been used for frequently quoted books ...
Страница xvii
... moral architecture ' is visible in the tectonics of the drama . When Shakespeare wrote Richard III he had before him the rich variety of Elizabethan drama , which offered him a colourful mixture of dramatic types , styles and modes of ...
... moral architecture ' is visible in the tectonics of the drama . When Shakespeare wrote Richard III he had before him the rich variety of Elizabethan drama , which offered him a colourful mixture of dramatic types , styles and modes of ...
Страница xviii
... moral intensity which it conveys , are briefly considered only in the latter part of this book and then in connection with concrete observations . The author is neverthe- less aware that the systematic approach he is attempting here ...
... moral intensity which it conveys , are briefly considered only in the latter part of this book and then in connection with concrete observations . The author is neverthe- less aware that the systematic approach he is attempting here ...
Страница 6
... moral responsibility for his evil acts ; this is a modern , not an Elizabethan , 3 concept . However appealing modern 1 For a divergent interpretation of determined set : D. S. Berkeley , " " Deter- mined " in Richard III , I , i , 30 ...
... moral responsibility for his evil acts ; this is a modern , not an Elizabethan , 3 concept . However appealing modern 1 For a divergent interpretation of determined set : D. S. Berkeley , " " Deter- mined " in Richard III , I , i , 30 ...
Страница 7
... Morality , 1947 , p . 20 ) . Hardin Craig ( An Interpreta- tion of Shakespeare , 1948 , p . 70 ) mentions in connection with this soliloquy the Platonic doctrine ' a fair soul in a fair body ' , and its opposite application , ' a ...
... Morality , 1947 , p . 20 ) . Hardin Craig ( An Interpreta- tion of Shakespeare , 1948 , p . 70 ) mentions in connection with this soliloquy the Platonic doctrine ' a fair soul in a fair body ' , and its opposite application , ' a ...
Съдържание
1 | |
General Structure 1 The Opening Soliloquy 2The PreShake | 20 |
Annes Soliloquy 24 The Address as a Means of Irony 27 Annes | 30 |
Richards Tactics 31 The ConversionSpeech 33 Psychological | 39 |
The Opening Episodes 44Richards Entry | 62 |
The SelfContained Scene in Shakespeares Plays 64 The Place | 72 |
Comparison with Richards Dream in V iii 73 Dramatization of | 74 |
Dreams in PreShakespearian Drama 77 Brakenburys Monologue | 83 |
Treatment of a Minor Episode 135 The Spectacle and the Text 136 | 136 |
Hastings Rôle and Dramatic Irony 138 Richards Entry 138 | 142 |
SCENE SIX | 148 |
Dramatic Techniques 151 Buckinghams Report 152 Irony | 156 |
The Initial Meeting 159 The Brakenbury Episode 159 Lament | 162 |
The Dialogue between Richard and Buckingham 165 Richards | 169 |
Telescoping of Time 171 Tyrrels Report 171 Reappearance of | 174 |
Three Types of Scene Combined 176 Margarets Opening Solil | 185 |
SCENE ONE | 91 |
SCENE TWO | 98 |
The Lament 101 Richards Entry 104 Buckinghams Speech | 105 |
tion and Foreboding 112 The Use of Proverbs 112 Recurrent | 113 |
SCENE ONE | 119 |
Structure of the Scene 120 The Arrival in London 120 The Dis | 128 |
The Messengers Entry 131 Stanleys Dream 131 The Catesby | 134 |
larities and Differences between I ii and IV iv 192 The Seven | 194 |
The IncitementSpeech | 200 |
SCENE FOUR | 231 |
Conventional Motifs in the Final Scene 233 The Initial StageDirec | 235 |
243 | |
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Често срещани думи и фрази
action alliteration Anne Anne's appearance attention audience beginning Buckingham called carried character Clarence Clarence's close conscience contains contrast conventional conversation convey course curses death Development dialogue direct discussion drama dream earlier Edward effect Elizabethan English episode example expression fact feelings figure final frequent further future ghosts gives hand Hastings Henry History important instance ironic irony King lament language later less lines linked Margaret means mind monologue Moreover murderers names nature occurs once opening parallel particular passage past pattern peace person phrases play pre-Shakespearian drama prepared present Prince provides Queen question references reflected reveals rhetorical Richard Richard III Richmond rôle scene seems Shakespeare short shows similar simply situation soliloquy speaks speech stage structure style suggest takes theme tion Tragedy true utterances victims warning whole