Commentary on Shakespeare's Richard IIIRoutledge, 11.10.2013 г. - 272 страници First published in 1968. Providing a detailed and rigorous analysis of Richard III, this Commentary reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare. |
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Страница viii
... Appearance and Reality in Margaret's Speech , 183 - Conceptions of Fate in Margaret's Speech , 184 - Reactions to the Lament from within the Play , 185 - Pre - Shakespearian Lamentation - Scenes , 186 - Lamentation - Scenes in Classical ...
... Appearance and Reality in Margaret's Speech , 183 - Conceptions of Fate in Margaret's Speech , 184 - Reactions to the Lament from within the Play , 185 - Pre - Shakespearian Lamentation - Scenes , 186 - Lamentation - Scenes in Classical ...
Страница 2
... appearance and character ; and in 28-40 he tells us of his future plans . What is here presented in one speech furnished in pre- Shakespearian drama the subject - matter for three : the prologue revealed the opening situation ; the ...
... appearance and character ; and in 28-40 he tells us of his future plans . What is here presented in one speech furnished in pre- Shakespearian drama the subject - matter for three : the prologue revealed the opening situation ; the ...
Страница 5
... appearance of the verb . The third of these clauses , with its agglomeration of past participles all conveying a negative image of Richard ( curtail'd , cheated of feature , deform'd , unfinish'd , scarce half made up ) , accelerates ...
... appearance of the verb . The third of these clauses , with its agglomeration of past participles all conveying a negative image of Richard ( curtail'd , cheated of feature , deform'd , unfinish'd , scarce half made up ) , accelerates ...
Страница 7
... appearance of frivolity [ imparted by Richard's explanation of his motive for doing evil ] vanishes , the bitterness and minuteness with which Richard has depicted his deformity make their full effect , and we clearly perceive the ...
... appearance of frivolity [ imparted by Richard's explanation of his motive for doing evil ] vanishes , the bitterness and minuteness with which Richard has depicted his deformity make their full effect , and we clearly perceive the ...
Страница 10
... appearance , and his present situation is at the same time a complex character study , whereas the tumultuous Senecan outbursts of feeling convey only a general impression of an agitated personality . The Senecan soli- loquies ...
... appearance , and his present situation is at the same time a complex character study , whereas the tumultuous Senecan outbursts of feeling convey only a general impression of an agitated personality . The Senecan soli- loquies ...
Съдържание
1 | |
General Structure 1 The Opening Soliloquy 2The PreShake | 20 |
Annes Soliloquy 24 The Address as a Means of Irony 27 Annes | 30 |
Richards Tactics 31 The ConversionSpeech 33 Psychological | 39 |
The Opening Episodes 44Richards Entry | 62 |
The SelfContained Scene in Shakespeares Plays 64 The Place | 72 |
Comparison with Richards Dream in V iii 73 Dramatization of | 74 |
Dreams in PreShakespearian Drama 77 Brakenburys Monologue | 83 |
Treatment of a Minor Episode 135 The Spectacle and the Text 136 | 136 |
Hastings Rôle and Dramatic Irony 138 Richards Entry 138 | 142 |
SCENE SIX | 148 |
Dramatic Techniques 151 Buckinghams Report 152 Irony | 156 |
The Initial Meeting 159 The Brakenbury Episode 159 Lament | 162 |
The Dialogue between Richard and Buckingham 165 Richards | 169 |
Telescoping of Time 171 Tyrrels Report 171 Reappearance of | 174 |
Three Types of Scene Combined 176 Margarets Opening Solil | 185 |
SCENE ONE | 91 |
SCENE TWO | 98 |
The Lament 101 Richards Entry 104 Buckinghams Speech | 105 |
tion and Foreboding 112 The Use of Proverbs 112 Recurrent | 113 |
SCENE ONE | 119 |
Structure of the Scene 120 The Arrival in London 120 The Dis | 128 |
The Messengers Entry 131 Stanleys Dream 131 The Catesby | 134 |
larities and Differences between I ii and IV iv 192 The Seven | 194 |
The IncitementSpeech | 200 |
SCENE FOUR | 231 |
Conventional Motifs in the Final Scene 233 The Initial StageDirec | 235 |
243 | |
Други издания - Преглед на всички
Често срещани думи и фрази
action alliteration Anne Anne's appearance attention audience beginning Buckingham called carried character Clarence Clarence's close conscience contains contrast conventional conversation convey course curses death Development dialogue direct discussion drama dream earlier Edward effect Elizabethan English episode example expression fact feelings figure final frequent further future ghosts gives hand Hastings Henry History important instance ironic irony King lament language later less lines linked Margaret means mind monologue Moreover murderers names nature occurs once opening parallel particular passage past pattern peace person phrases play pre-Shakespearian drama prepared present Prince provides Queen question references reflected reveals rhetorical Richard Richard III Richmond rôle scene seems Shakespeare short shows similar simply situation soliloquy speaks speech stage structure style suggest takes theme tion Tragedy true utterances victims warning whole