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A MORNING HYMN,

To the Duchefs of Hamilton. WAKE, bright Hamilton, arife, Goddess of Love, and of the day; Awake, difclofe thy radiant eyes,

A

And fhew the fun a brighter ray.
Phoebus in vain calls forth the blushing morn,
He but creates the day which you adorn.

The lark, that wont with warbling throat
Early to falute the skies,

Or fleeps, or else fufpends his note,
Difclaiming day till you arife.
Goddess awake, thy beams difplay,

Reftore the universe to light,

When Hamilton appears, then dawns the day;
And when the difappears, begins the night.
Lovers, who watchful vigils keep,
(For lovers never, never fleep)
Wait for the rifing of the Fair,

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To offer fongs and hymns of prayer;

Like Perfians to the fun,

Even life, and death, and fate are there :

For in the rolls of ancient deftiny,

Th' inevitable book, 'twas noted down,

The dying should revive, the living die,

As Hamilton fhall fmile, as Hamilton fhall frown!

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The God, recovering his furprize, Trufts to his wings, away he flies. Swift as an arrow cuts the wind, And leaves his whole artillery behind. Princess, restore the boy his useless darts, With furer charms you captivate our hearts; Love's captives oft their liberty regain, Death only can release us from your chain.

EXPLICATION IN FRENCH.

CUPIDON DESARMÉ. Fable pour Madame la Princesse D'Auvergne. YUPIDON prenant plaifir de fe trouver toûjours l'entendre: Comme il admiroit un jour fes graces inimitables, dans cette diftraction de fon ame & de fes fens, il laiffa tomber ce dard fatal qui ne manque jamais de percer les cœurs. Elle le ramaffe foudain, & s'armant la belle main;

"C'est ainsi, dit-elle, que je me rends maitreffe "de l'amour, tremblez, enfant malin, je veux vanger "tous les maux que tu as fait."

Le Dieu étonné, revenant de fa furprize, fe fiant à fes ailes, s'échappe, & s'envole vite comme une fleche qui fend l'air, & lui laiffe la poffeffion de toute fon artillerie.

Princeffe, rendez lui fes armes qui vous font inutiles: La nature vous a donné des charmes plus puiffints: Les captifs de l'amour fouvent recouvrent la liberté; Il n'y a que la mort feule qui puiffe affranchir les votres.

BACCHUS

B

BACCHUS DISARMED.

To Mrs. Laura Dillon, now Lady Faulkland. ACCHUS to arms, the enemy's at hand, Laura appears; ftand to your glaffes, ftand, The God of Love, the God of Wine defies, Behold him in full march, in Laura's eyes: Bacchus to arms, and to refift the dart, Each with a faithful brimmer guard his heart. Fly, Bacchus, fly, there's treafon in the cup, For Love comes pouring in with every drop; I feel him in my heart, my blood, my brain, Fly, Bacchus, fly, refiftance is in vain, Or craving quarter, crown a friendly bowl To Laura's health, and give up all thy foul.

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When men of equal merit love us,

And do with equal ardor fue,

Thyris, you know but one must move us, Can I be yours and Strephon's too?

My eyes view both with mighty pleasure, Impartial to your high defert,

To both alike, efteem I measure,

To one alone can give my heart.

THYRSI S.

Mysterious guide of inclination,
Tell me, tyrant, why am I
With equal merit, equal paffion,
Thus the victim chofen to die?
Why am I

The victim chosen to die?

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POPHETIC fury rolls within my breaft,
And as at Delphos, when the foaming priest
Full of his God, proclaims the distant doom
Of kings unborn, and nations yet to come;
My labouring mind fo ftruggles to unfold
On British ground a future age of gold;
But left incredulous ye hear-behold:
Here a Scene reprefenting the QUEEN, and the feveral
Triumphs of Her Majefty's Reign.

High on a throne appears the martial Queen,
With grace fublime, and with imperial mein;
Surveying round her, with impartial eyes,
Whom to protect, or whom the fhall chaftife.
Next to her fide, victorious Marlbro' ftands,
Waiting, obfervant of her dread commands;
The Queen ordains, and like Alcides, he
Obeys, and executes her high decree.

In every line of her aufpicious face

Soft mercy fmiles, adorn'd with every grace;
So angels look, and fo when heaven decrees,
They scourge the world to piety and peace.

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Empress and conqu'ror, hail! thee Fates ordain. O'er all the willing world fole arbitrefs to reign; To no one people are thy laws confin'd, Great Britain's Queen, but guardian of mankind; Sure hope of all who dire oppreflion bear, For all th' opprefs'd become thy instant care. Nations of conqueft proud, thou tam'ft to free, Denouncing war, prefenting liberty; The victor to the vanquifh'd yields a prize, For in thy triumph their redemption lies; Freedom and peace, for ravish'd fame you give, Invade to blefs, and conquer to relieve. So the fun fcorches, and revives by turns, Requiting with rich metals where he burns.

Taught by this great example to be just, Succeeding Kings fhall well fulfil their trust; Difcord, and war, and tyranny thall cease, And jarring nations be compell'd to peace; Princes and ftates, like fubjects fhall agree To truft her power, fafe in her piety.

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When more indulgent to the writers eafe,
You are too good to be so hard to please;
No fuch convulfive pangs it will require
To write the pretty things which you admire.

Our author then, to please you in your way,
Prefents you now a bauble of a play:
In jingling rhyme, well fortifi'd and ftrong,
He fights entrench'd o'er head and ears in fong.
If here and there fome evil-fated line,
Should chance through inadvertency to shine,
Forgive him, Beaux, he means you no offence,
But begs you for the love of fong and dance,
To pardon all the poetry and sense.

ANOTHER EPILOGUE,
Defigned for the fame.

WIT

fuccefs,

IT once, like Beauty, without art or dress,
Naked, and unadorn'd, could find
Till by fruition, novelty deftroy'd,
The nymph muft find new charms to be enjoy'd.
As by his equipage the man you prize,

And ladies must have gems befide their eyes:
So fares it too with plays; in vain we write,
Unless the mufic and the dance invite,
Scarce Hamlet clears the charges of the night.
Would you but fix fome ftandard how to move,
We would transform to any thing you love;
Judge our defire by our coft and pains,
Sure the expence, uncertain are the gains.
But though we fetch from Italy and France
Our fopperies of tune, and mode of dance,
Our sturdy Britons fcorn to borrow sense:
Howe'er to foreign fashions we fubmit,
Still every fop prefers his mother wit.
In only wit this conftancy is shown,
For never was that arrant changeling known,
Who for another's fenfe would quit his own.

Our author would excuse these youthful scenes,
Begotten at his entrance in his teens :
Some childish fancies may approve the toy,
Some like the Mufe the more for being a boy;
And ladies fhould be pleas'd, if not content,
To find fo young a thing, not wholly impotent.
Our stage-reformers too he would difarm,
In charity fo cold, in zeal fo warm;
And therefore to atone for ftage abuses,

And gain the church-indulgence for the Muses,
He gives his thirds-to charitable uses.

PROLOGUE

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Thus critics fhould, like thefe, be branded foes,
Who for the poifon only, fuck the rose ;
Snarling and carping, without wit or fenfe ;
Impeach mistakes, o'erlooking excellence,
As if to every fop it might belong,
Like fenators to cenfure, right or wrong.

But generous minds have more heroic views,
And Love and Honour are the themes they choose.
From yon bright heaven our author fetch'd his fire
And paints the paffions that your eyes inspire:
Full of that flame, his tender fcenes he warms,
And frames his Goddefs by your matchlefs charms.

E

EPILOGUE

To the Jew of Venice.

ACH in his turn, the Poet †, and the Prieft §,
Have viewed the ftage, but like falfe prophets
guefs'd.

The man of zeal, in his religious rage,
Would filence poets, and reduce the stage 3
The poet, rafhly to get clear, retorts
On kings the fcandal, and befpatters courts.
Both err: for without mincing, to be plain,
The guilt's
's your own of every odious fcene:
The prefent time ftill gives the stage its mode,
The vices that you practice, we explode;
We hold the glafs, and but reflect your shame,
Like Spartans, by expofing, to reclaim.

The fcribbler, pinch'd with hunger, writes to dine,
And to your genius must conform his line;
Not lewd by choice, but merely to fubmit:
Would you encourage fenfe, fenfe would be writ.
Good plays we try, which after the first day,
Unfeen we act, and to bare benches play;
Plain fenfe, which pleas'd your fires an age ago,
Is loft, without the garniture of show:
At vaft expence we labour to our ruin,
And court your favour with our own undoing;
A war of profit mitigates the evil,

But to be tax'd and beaten-is the devil.
How was the scene forlorn, and how defpis'd,
When Timon, without mufic, moraliz'd?
Shakespeare's fublime in vain entic'd the throng,
Without the aid of Purcel's fyren song.

In the fame antique loom these scenes were wrought,
Embellifh'd with good morals, and just thought;
True Nature in her nobleft light you fee,
Ere yet debauch'd by modern gallantry,
To trifling jefts, and fulfome ribaldry.
What ruft remains upon the fhining mass,

To Mr. Bevil Higgon's excellent Tragedy, called the Antiquity muft privilege to pafs.

Generous Conqueror.

OUR comic writer is a common foe,

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None can intrigue in peace, or be a beau,

Nor wanton wife, nor widow can be fped,
Not even Ruffel can inter the dead,

But ftraight this cenfor, in his whim of wit,
Strips, and prefents you naked to the Pit.

*Ruffel, a famous undertaker for funerals; alluding to a Comedy written by Sir Richard Steele, entitled, The Funeral.

'Tis Shakespeare's play, and if these scenes mifcarry, Let Gormon* take the stage-or Lady Mary †.

To the Ladies.

Mr. Dryden's Prologue to the Pilgrim. § Mr, Collier's View of the Stage.

* A famous prize-fighter.

A famous rope-dancer fo called.

PRO

As

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Once a Lover and always a Lover.

S quiet monarchs that on peaceful thrones, In fports and revels long had reign'd like drones, Rouzing at length, reflect with guilt and shame, That not one stroke had yet been given for fame; Wars they denounce, and to redeem the past, To bold attempts, and rugged labors hafte: Our poet fo, with like concern reviews The youthful follies of a love-fick Muse; To amorous toils, and to the filent grove, To beauty's fnares, and to deceitful love, He bids farewell; his fhield and lance prepares, And mounts the stage, to bid immortal wars, Vice, like fome monster, fuff'ring none t' escape, Has feiz'd the town, and varies ftill her shape: Here, like fome General, the ftruts in state, While crowds in red and blue her orders wait; There, like fome pensive statesman treads demure, And smiles and hugs, to make deftruction fure : Now under high commodes, with looks erect, Barefac'd devours, in gaudy colours deck'd; Then in a vizard, to avoid grimace, Allows all freedom, but to see the face. In pulpits and at bar fhe wears a gown, In camps a fword, in palaces a crown. Refolv'd to combat with this motley beaft Our poet comes to strike one blow at least,

His glass he means not for this jilt or beau,
Some features of you all he means to fhow,
On chofen heads, nor lets the thunder fall,
But fcatters his artillery-at all.

Yet to the Fair he fain would quarter show,
His tender heart recoils at every blow;
If unawares he gives too smart a ftroke,
He means but to correct, and not provoke.

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IV.

Friendship's a cloak to hide fome treacherous end, Your greatest foe, is your profeffing friend; The foul refign'd, unguarded and fecure, The wound is deepeft, and the stroke most fure.

V.

Juftice is bought and fold; the Bench, the Bar Plead and decide; but gold 's th' interpreter. Pernicious metal! thrice accurft be he Who found thee firft; all evils spring from thee.

VI.

Sires fell their fons, and fons their fires betray:
And fenates vote, as armies fight, for pay;
The wife no longer is restrain'd by shame,
But has the husband's leave to play the game,
VII.

Succeeds, of fpurious mold, a puny race;
Difeas'd, decrepid, from the mixt embrace
From fuch defenders what can Britain hope?
And where, O Liberty! is now thy prop?

VIII.

Not fuch the men who bent the stubborn bow, And learnt in rugged sports to dare a foe: Not fuch the men who fill'd with heaps of flain Fam'd Agincourt and Creffy's bloody plain.

IX.

Haughty Britannia then, inur'd to toil, Spread far and near the terrors of her ifle; True to herself, and to the public weal, No Gallic gold could blunt the British steel.

X.

Not much unlike, when thou in arms wert feen Eager for glory on th' embattled green, When Stanhope led thee through the heats of Spain To dye in purple Almanara's plain,

XI.

The refcu'd Empire, and the Gaul fubdu'd, In Anna's reign, our ancient fame renew'd: What Britons could, when justly rous'd to war, Let Blenheim fpeak, and witness Gibraltar.

W

FORTUNE.

EPIGRAM.

HEN Fortune feems to fmile, 'tis then I fear Some lurking ill, and hidden mischief near: Us'd to her frowns, I ftand upon my guard, And arm'd in virtue, keep my foul prepared. Fickle and falfe to others fhe may be, I can complain but of her conftancy. Virtutem à me,

Fortunam ex aliis

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VERSES

Written in a leaf of the Author's Poems, prefented to the QUEEN.

THE MUSE'S LAST DYING SONG.

A

MUSE expiring, who, with earliest voice,
Made kings and queens, and beauty's charms
her choice;

Now on her death-bed, this laft homage pays,
O Queen! to thee: accept her dying lays.
So, at th' approach of death, the cygnet tries
To warble one note more-and finging dies.
Hail mighty Queen! whofe powerful fmile alone
Commands fubjection, and fecures the throne:
Contending parties, and plebeian rage,
Had puzzled loyalty for half an age:
Conquering our hearts, you end the long difpute,
All, who have eyes, confess you abfolute.
To Tory doctrines, even Whigs refign,
And in your perfon own a right divine.

Thus fang the Mufe, in her laft moments fir'd
With Carolina's praife-and then expir'd.

tings he is fevere, bold, undertaking; in his nature, gentle, modeft, inoffenfive; he makes ufe of his fatire as a man truly brave of his courage, only upor public occafions and for public good. He compaffionates the wounds he is under the neceffity to probe, or, like a good natured conqueror, grieves at the occafions that provoke him to make fuch havock.

There are who object to his verfification; but a diamond is not lefs a diamond for not being polished. Vertification is in poetry what colouring is in painting, a beautiful ornament; but if the proportions are juft, the pofture true, the figure bold, and the refemblance according to nature, though the colours should

piece be of inestimable value; whereas the nicest and the fineft colouring art can invent, is but labor in vain, where the reft is wanting. Our prefent writers indeed, for the most part, feem to lay the whole stress of their endeavours upon the harmony of words; but then, like eunuchs, they facrifice their manhood for a voice, and reduce our poetry to be like echo, nothing but found.

Thofe indeed who form their judgment only from his writings, may be apt to imagine fo many admirable reflections, fuch diverfity of images and characters, fuch ftrict enquiries into nature, fuch clofe obfervati-happen to be rough, or carelessly laid on, yet may the ons on the feveral humours, manners, and affections of all ranks and degrees of men, and, as it were, fo true and fo perfect a diflection of humankind, delivered with fo much pointed wit and force of expreffion, could be no other than the work of extraordinary diligence and application: whereas others, who have the happiness to be acquainted with the author, as well as his writings, are able to affirm thefe happy performances were due to his infinite genius and natural penetration. We owe the pleafure and advantage of having been fo well entertained and inftructed by him to his facility of doing it; for, if I mistake him not extremely, had it been a trouble to him to write, he would have fpared himself that trouble. What he has performed would indeed have been difficult for another; but the club which a man of ordinary fize could not lift, was but a walking-stick for Hercules.

Mr. Wycherley, in his writings, has been the sharp- | eft fatirift of his time; but, in his nature, he has all the foftnefs of the tendereft difpofitions: in his wri

In Mr. Wycherley, every thing is mafculine; his Mufe is not led forth as to a review, but as to a battle; not adorned for parade, but execution; he would be tried by the sharpnefs of his blade, and not by the finery; like your heroes of antiquity, he charges in iron, and feems to defpife all ornament but intrinfic merit; and like thofe heroes has therefore added another name to his own, and by the unanimous confent of his cotemporaries, is diftinguished by the just appellation of Manly Wycherley.

LANSDOWNE.

PELEUS

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