Dramatic Discourse: Dialogue as Interaction in PlaysRoutledge, 20.06.2005 г. - 340 страници Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance. |
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Dialogue as Interaction in Plays Vimala Herman. commonality in being speech exchange systems, which sets them apart from poetic genres like the ode or the lyric, or narrator language inthenovel. Moreover, where the relationhas been ...
Dialogue as Interaction in Plays Vimala Herman. commonality in being speech exchange systems, which sets them apart from poetic genres like the ode or the lyric, or narrator language inthenovel. Moreover, where the relationhas been ...
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Dialogue as Interaction in Plays Vimala Herman. Beckerman (1970) in more sober terms. Beckerman, more reflectively ... interactions. Butitis hardly the case that all daytoday interactions are alwaysand only passionless or that for the ...
Dialogue as Interaction in Plays Vimala Herman. Beckerman (1970) in more sober terms. Beckerman, more reflectively ... interactions. Butitis hardly the case that all daytoday interactions are alwaysand only passionless or that for the ...
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Dialogue as Interaction in Plays Vimala Herman. is unhelpful in providing us with clearcut, unambiguous categories, in which something is to be identified in its difference from somethingelse as ifthe boundaries between standard and ...
Dialogue as Interaction in Plays Vimala Herman. is unhelpful in providing us with clearcut, unambiguous categories, in which something is to be identified in its difference from somethingelse as ifthe boundaries between standard and ...
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... interaction':and interactions areopento enormous variation. Participants canbe mutually supportive,or mutually alienating, or separately ensconced within their own subjective worlds. Interactions canfashion orfabricate similar ...
... interaction':and interactions areopento enormous variation. Participants canbe mutually supportive,or mutually alienating, or separately ensconced within their own subjective worlds. Interactions canfashion orfabricate similar ...
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Dialogue as Interaction in Plays Vimala Herman. the risk of including them in some detail in the book, and for presenting them on their own terms before analysing their productivities in the studyof dramatic interactions. But other books ...
Dialogue as Interaction in Plays Vimala Herman. the risk of including them in some detail in the book, and for presenting them on their own terms before analysing their productivities in the studyof dramatic interactions. But other books ...
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