Toward a Psychology of Art: Collected EssaysUniversity of California Press, 1966 - 369 страници Presents an interpretation of the expression of art and the relationship between this psychology and the art form. Bibliogs. |
Съдържание
INTRODUCTION | 1 |
AGENDA FOR THE PSYCHOLOGY OF | 17 |
THE GESTALT THEORY OF EXPRESSION | 51 |
PERCEPTUAL AND AESTHETIC ASPECTS | 74 |
PERCEPTUAL ANALYSIS OF A RORSCHACH CARD | 90 |
ORDER AND COMPLEXITY IN LANDSCAPE DESIGN | 123 |
THE MYTH OF THE BLEATING LAMB | 136 |
ART HISTORY AND THE PARTIAL | 151 |
PERCEPTUAL ANALYSIS OF A SYMBOL OF INTERACTION | 222 |
ABSTRACT LANGUAGE AND THE METAPHOR | 266 |
ON INSPIRATION | 285 |
CONTEMPLATION AND CREATIVITY | 292 |
EMOTION AND FEELING IN PSYCHOLOGY AND | 302 |
THE ROBIN AND THE SAINT | 320 |
WHAT KIND OF PSYCHOLOGY? | 337 |
IS MODERN ART NECESSARY? | 343 |
MELANCHOLY UNSHAPED | 181 |
FROM FUNCTION TO EXPRESSION | 192 |
ARTISTIC SYMBOLSFREUDIAN AND OTHERWISE | 215 |
THE FORM WE SEEK | 353 |
| 363 | |
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abstract abstract art aesthetic appearance architecture artist aspects asserts attitude basic Bauhaus beauty behavior body cognitive color complex composition concepts concrete configuration contour corresponding created creative Cubists derived described direct Edgar Rubin effect elements emotion empiristic essential example experience expression fact factors feeling figure figure-ground forces function garden geometrical Gestalt psychology golden section Gombrich Henry Moore human illusion instance interac interaction interpretation isomorphic kind kinesthetic Le Corbusier look magatama material means ment mental mind modern art modulor movement nature object observer organization over-all painter painting particular pattern perceived perceptual person physical pictorial picture practical primitive principle processes produce properties psychoanalysis qualities reality REFERENCES relations representation Roger Fry Rorschach sculpture seen sense shape similar simple space spatial stimulus structure style symbolic symmetry T'ai-chi tension texture theory things tion Univ visible visual dynamics visual perception Vitruvius whole