Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 71Gale Research Company, 1984 |
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Страница 46
... ment the pace of Zeffirelli's cross - cutting between Ger- trude and the duel intensifies and she collapses at the mo- ment Hamlet receives the fatal hit . Hamlet's eventual attack on Claudius is anticlimactic and is delivered with none ...
... ment the pace of Zeffirelli's cross - cutting between Ger- trude and the duel intensifies and she collapses at the mo- ment Hamlet receives the fatal hit . Hamlet's eventual attack on Claudius is anticlimactic and is delivered with none ...
Страница 115
... ment of the character of Falstaff , focusing on the treat- ment of the character by neoclassicists , Romantics , and Romantic Victorians . In particular , Roberts discusses criti- cal concern over the discrepancies between the character ...
... ment of the character of Falstaff , focusing on the treat- ment of the character by neoclassicists , Romantics , and Romantic Victorians . In particular , Roberts discusses criti- cal concern over the discrepancies between the character ...
Страница 274
... ment , rather than of a discursive composition . . . . " ” ( Shakespeare and the Common Understanding [ New York : Macmillan , 1967 ] , p . 51. ) 36. Waller , p . 110 . 37. From John Ashbery's poem " And Others , Vaguer Presences , " in ...
... ment , rather than of a discursive composition . . . . " ” ( Shakespeare and the Common Understanding [ New York : Macmillan , 1967 ] , p . 51. ) 36. Waller , p . 110 . 37. From John Ashbery's poem " And Others , Vaguer Presences , " in ...
Съдържание
Character Studies | 10 |
Production Reviews | 35 |
Themes | 51 |
Авторско право | |
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