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Or o'er the fea fufpended she could glide,
Nor tinge her flying footsteps in the tide *.

In this description of VIRGIL there is not the least truth. No one perfon, however light and agil, being ever able to run along unbending corn, or skim along the main without wetting the feet, or do any thing that might give a colour for any fuch imagination.

The account Lord LANSDOWNE gives of Hyperboles is very juft and fuitable to our purpose:

Hyperboles, fo daring and so bold,

Difdaining bounds, are yet by bounds control'd;
Above the clouds, but ftill within our fight,

They mount with truth, and make a tow'ring flight;
Presenting things impoffible to view,

They wander thro' incredible to true:

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Falfhoods thus mix'd, like metals, are refin'd;
And truth, like filver, leaves the drofs behind.

And his cenfure upon the madness of Hyperboles, well deferves our remembrance:

Thus Poetry has ample space to foar,
Nor needs forbidden regions to explore:

Such vaunts as his who can with patience read,
Who thus defcribes his Hero flain and dead?
"Kill'd as he was, infenfible of death,

"He ftill fights on, and scorns to yield his breath +."

The

* Illa vel intactæ fegetis per fumma volaret
Gramina, nec teneras curfu læfiffet ariftas:
Aut mare per medium, fluctu fufpenfa tumenti,
Ferret iter; celeres neque tingeret æquore plantas.
Eneid. lib. vii. ver. 808.

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† ARIOSTO.

The noisy culverin o'ercharg'd lets fly,

And bursts unaiming in the rended sky:
Such frantic flights are like a madman's dream,
And nature fuffers in the wild extreme

*

§ 5. If an Hyperbole is too high, it may be qualified by fome fuch infertions, as, Methinks, it feemed, it looked like, if I may fo fay, or if I may be permitted, or fome fuch cautionary exprefsions +. Thus LUCIUS FLORUS fays, " that "the fhips were built with fuch dispatch in the "fecond Punic war, that it seemed as if they "were not made by men, but that the trees "were converted into fhips by the Gods ." Mr COWLEY foftens the Hyperbole, when, describing the Giant GOLIATH, he says,

The

Lord LANSDOWNE's Efay upon unnatural Flights in Poetry. See his Works, vol. i. p. 90.

+ Et fi quid periculofius, finxiffe videmur, quibufdam remediis præmuniendum eft; ut ita dicam, fi licet dicere, quod. ammodo, permitte mihi fic. Quod idem etiam in iis quæ li centiùs tranflata erunt, proderit, quæ non tutò dici poffunt. In quo non falli judicium noftrum, folicitudine ipfa manifeftum erit. Qua de re Græcum erit illud elegantiffimum, quo præcipitur ita, posTITλndσ тn UжEgoan. QUINTIL. lib. viii. cap. 3. $3.

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Atque etiam fi vereare, ne paulo durior tranflatio effe videatur, mollienda eft propofito fæpe verbo; ut fi olim M. Ca tone mortuo, pupillum fenatum quis relictum diceret, paulo durius; fin, ut ita dicam, pupillum, aliquanto mitius eft. CICER. de Orat. lib. iii. § 41.

Ut non naves arte factæ, fed quodam munere Deorum in naves mutatæ arbores viderentur. LUCII FLORI, lib. ii. cap. 2.

The valley now the monster feem'd to fill,

And we methought look'd up t' him from our hill *.

And Mr WALLER gives us an example of the fame kind in his description of a Whale :'

Their fix'd javelins in her fides fhe wears,
And on her back a grove of pikes appears;
You would have thought, had you the monster seen
Thus dreft, fhe had another island been †.

The advantage arising from these cautionary. expressions, is, that the speaker cannot be accused of a want of understanding, when he makes ufe of an Hyperbole beyond the limits ufually granted to fuch a Trope; because, before he introduces it, he intimates his apprehension of its excess by a kind of jealousy concerning its ap probation. And this caution is a fort of passport for the Hyperbole, for by making an apology. for an exprefsion before you utter it, you prepare the hearers for a reception of what may appear too marvellous, and too nearly the romantic, provided at the same time, according to what we but now observed, there is but the leaft degree of truth or resemblance at bottom; but where thefe are abfolutely wanting, there is a difmal vacuity of sense, notwithstanding the greatest pomp of exprefsion, and every device that can possibly be practised. But I cannot say any thing more fuitable on this point, than what Dr TRAPP has faid before me.

Davideis, book iii.

We are not de

+ WALLER'S Battle of the Summer-Islands.

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66

viating, fays he, from the right rule of thinking in Metaphors, Hyperboles, Ironies, nor even in equivocal speeches, nor fancies, nor I poetical fables, when they are properly used, "for there is a wide difference between falfhood " and fiction, between that which is really false, "if I may so speak, and that which has only the "appearance of what is falfe. Right reafon is "laid as the foundation of juft Tropes and Fic❝tions. Truth fuftains the apparent falsity; "which is fo far from deftroying, that it adorns "the truth *"

§ 6. If you make ufe of more than one Hy$ perbole in a sentence, as fometimes there may be grace and propriety in an afsemblage of them, take care that they rife and ftrengthen upon one another; for otherwise, when you have raised the hearer's expectations, you will disappoint them with a very disgustful defect, and poverty of idea, and this too in a Trope that should be peculiarly ftrong and animated. Falls are never fo great and dangerous as thofe from an uncom mon height. For inftance, how mean had it been

* Nec Metaphoris, Hyperbolis, Ironicis, imo vel æquivocis locutionibus recte ufurpatis, neque etiam commentis & fabulis poeticis, a recta cogitandi norma aberratur. Inter falfitatem enim & fictionem, inter id quod verè falfum eft (fi ita loqui diceat) & id quod falfi tantum fpeciem induit, per multum intereft. Tropis iftis & fictionibus recta ratio, tanquam fundamentum, fubfternitur; veritate fuftinetur apparens ita falfitas; quæ veritatem exornat, non deftruit. TRAPPIZ Prale. Poetic. vol. i. p. 184.

been in HORACE, if he had faid that care flew fwifter than the winds, or the ftag, or could even keep pace with the horse on full speed? but how do the ideas rife upon the mind, and gradually augment the velocity of that distressing passion which he describes, when he says!

Care climbs the veffel's brazen prow,

Sits faft upon the racer's steed;
Her flight outftrips the bounding roe,

And leaves behind the whirlwind's speed *.

A like inftance we may meet with in C1CERO: "What Charybdis is fo devouring? Cha

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rybdis, do I fay? which, if there was fuch a "monfter, was only a single animal. Even the "ocean itself, believe me, seems scarce capa"ble in fo little a time to ingulph fuch a quantity of riches, fo variously difperfed, and

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fuch diftant places, as ANTONY has "done +."

*Scandit æratas vitiofa navés

Cura; nec turmas equitum relinquit,

Ocyor cervis, & agente nimbos

Ocyor euro..

HORAT. Od. lib. ii. od. 16.

+ Que Charybdis tam vorax? Charybdin, dico? quæ fi fuit, fuit animal unum. Oceanus, medius fidius, vix videtur tot res, tam diffipatas, tam diftantibus in locis pofitas, tam cito abforbere potuiffe. CICER. Phil. ii. § 27.

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