The Works of the Right Honourable Joseph Addison, Том 4 |
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Страница 111
AFTER what I have said in my last Saturday's paper , I shall enter on the subject
of this without farther preface , and remark the several defects which appear in
the fable , the characters , the sentiments , and the language of Milton's Paradise
...
AFTER what I have said in my last Saturday's paper , I shall enter on the subject
of this without farther preface , and remark the several defects which appear in
the fable , the characters , the sentiments , and the language of Milton's Paradise
...
Страница 112
The implex fable is therefore of two kinds : in the first the chief actor makes his
way through a long series of dangers and difficulties , ' till he arrives at honour
and prosperity , as we see in the story of Ulysses . In the second , the chief actor
in ...
The implex fable is therefore of two kinds : in the first the chief actor makes his
way through a long series of dangers and difficulties , ' till he arrives at honour
and prosperity , as we see in the story of Ulysses . In the second , the chief actor
in ...
Страница 136
Aristotle observes , that the fable in an epic poem should abound in
circumstances that are both credible and astonishing ; or , as the French critics
chuse to phrase it , the fable should be filled with the probable and the
marvellous . This rule is ...
Aristotle observes , that the fable in an epic poem should abound in
circumstances that are both credible and astonishing ; or , as the French critics
chuse to phrase it , the fable should be filled with the probable and the
marvellous . This rule is ...
Страница 207
This is visibly the moral of the principal fable which turns upon Adam and Eve ,
who continued in Paradise while they kept the command that was given them ,
and were driven out of it as soon as they had transgressed . This is likewise the ...
This is visibly the moral of the principal fable which turns upon Adam and Eve ,
who continued in Paradise while they kept the command that was given them ,
and were driven out of it as soon as they had transgressed . This is likewise the ...
Страница 493
Joseph Addison Richard Hurd. Oyster , and the drop of water , a Persian fable ,
234 . P. Pagan deities , their worship mixt with absurdities , 418 . Painting , a less
natural kind of representation than statuary , 356 . But more so than writing , 357 .
Joseph Addison Richard Hurd. Oyster , and the drop of water , a Persian fable ,
234 . P. Pagan deities , their worship mixt with absurdities , 418 . Painting , a less
natural kind of representation than statuary , 356 . But more so than writing , 357 .
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action Adam affected agreeable angels appear beautiful body called character circumstances consider conversation critics death delight described desire discourse discover earth English enter expression fable fall figure give given greater greatest hand happiness head hear heart heaven Homer human ideas imagination Italy kind learned letter light likewise live look lost manner means meet mentioned Milton mind morality nature never objects observed occasion opinion Paradise particular pass passage passion perfection perhaps person piece pleased pleasure poem poet present produce proper raise reader reason received reflections represented rises says secret seems sense sentiments shew short side sight soul speak speech spirit taken tells thing thought tion told turn virtue whole writing
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Страница 149 - My beloved spake, and said unto me, Rise up, my love, my fair one, and come away. For, lo, the winter is past, The rain is over and gone ; The flowers appear on the earth ; The time of the singing of birds is come, And the voice of the turtle is heard in our land ; The fig tree putteth forth her green figs, And the vines with the tender grape give a good smell. Arise, my love, my fair one, and come away.
Страница 121 - Thammuz came next behind, Whose annual wound in Lebanon allured The Syrian damsels to lament his fate In amorous ditties all a summer's day, While smooth Adonis from his native rock Ran purple to the sea, supposed with blood Of Thammuz yearly wounded...
Страница 388 - Curse not the king, no not in thy thought; and curse not the rich in thy bedchamber: for a bird of the air shall carry the voice, and that which hath wings shall tell the matter.
Страница 435 - There was a little city, and few men within it; and there came a great king against it, and besieged it, and built great bulwarks against it: 15 Now there was found in it a poor wise man, and he by his wisdom delivered the city; yet no man remembered that same poor man.
Страница 182 - So saying, her rash hand in evil hour Forth reaching to the Fruit, she pluck'd, she eat: Earth felt the wound, and Nature from her seat Sighing through all her Works gave signs of woe, That all was lost.
Страница 442 - And nightly to the list'ning earth Repeats the story of her birth : Whilst all the stars that round her burn, And all the planets in their turn, Confirm the tidings as they roll, And spread the truth from pole to pole.
Страница 194 - And another angel came and stood at the altar, having a golden censer, and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne. And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand.
Страница 54 - Haste thee Nymph, and bring with thee Jest and youthful Jollity, Quips and Cranks, and wanton Wiles, Nods, and Becks, and wreathed Smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek ; 30 Sport, that wrinkled Care derides, And Laughter holding both his sides.
Страница 120 - Hail, horrors! hail, Infernal World! and thou, profoundest Hell, Receive thy new possessor— one who brings A mind not to be changed by place or time.
Страница 61 - Tis not enough no harshness gives offence, The sound must seem an echo to the sense. Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar. When Ajax strives some rock's vast weight to throw, The line too labours, and the words move slow; Not so, when swift Camilla scours the plain, Flies o'er th...