Romeo and JulietHal Leonard Corporation, 2001 - 204 страници (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Страница v
... speeches , movements , or silences take on huge importance once the words have left the page and become part of a performance . It is a theatrical edition , like no other available at this time . Everyone knows that Shakespeare wrote ...
... speeches , movements , or silences take on huge importance once the words have left the page and become part of a performance . It is a theatrical edition , like no other available at this time . Everyone knows that Shakespeare wrote ...
Страница vii
... speech- prefixes are printed in full and extra space used to set speeches apart from each other ; when the text is read silently , each new voice can register clear- ly . At the rear of the book , an extended note explains the authority ...
... speech- prefixes are printed in full and extra space used to set speeches apart from each other ; when the text is read silently , each new voice can register clear- ly . At the rear of the book , an extended note explains the authority ...
Страница xi
... speeches with relevant and picturesque detail - see for example , L.i.75-153 , I.ii.1-44 , or I.iv.1-39 - but then one or ... speech , and even in moments of complete simplicity or silence , the characters come alive . Words and actions ...
... speeches with relevant and picturesque detail - see for example , L.i.75-153 , I.ii.1-44 , or I.iv.1-39 - but then one or ... speech , and even in moments of complete simplicity or silence , the characters come alive . Words and actions ...
Страница xii
... speech alone : characters " stand ... amazed " ( Ill.i.128 ) ; they touch , sigh and kiss , experience " torture " ( III.iii.29 ) ; and give them- selves over to " blubb'ring and weeping " ( III.iii.87 ) ; " wanton blood " rushes to ...
... speech alone : characters " stand ... amazed " ( Ill.i.128 ) ; they touch , sigh and kiss , experience " torture " ( III.iii.29 ) ; and give them- selves over to " blubb'ring and weeping " ( III.iii.87 ) ; " wanton blood " rushes to ...
Страница xviii
... speeches in the scenes where she laments Romeo's banishment , and anticipates her waking in the tomb , marked the fine play and undulation of natural sensi- bility , rising and falling with the gusts of passion , and at last worked up ...
... speeches in the scenes where she laments Romeo's banishment , and anticipates her waking in the tomb , marked the fine play and undulation of natural sensi- bility , rising and falling with the gusts of passion , and at last worked up ...
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Често срещани думи и фрази
action actor answer attention audience banished becomes BENVOLIO body break bring close comes continues dance dead dear death directed doth draw effect Elizabethan Enter Exit express eyes face fair fall father fear feelings follow friar give gone grief hand hast hath hear heart heaven hold immediately Juliet keep kill kiss LADY CAPULET LAWRENCE leave light lives look lord lovers married means Mercutio mind Montague mother move MUSICIAN night nurse once Paris performance perhaps PETER play Prince probably production question response Romeo scene seems sense Shakespeare short silent simple sound speaks speech stage stand stay strong suggests sweet talk tears tell thee thing thou thoughts tion tomb true turns Tybalt usually watch weeping wife young