Romeo and JulietHal Leonard Corporation, 2001 - 204 страници (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Страница v
... Moreover , the journalistic accounts of pro- ductions which are quoted in these histories are liable to emphasize what is unusual in a production rather than the opportunities offered to General Preface to the Applause Shakespeare Library.
... Moreover , the journalistic accounts of pro- ductions which are quoted in these histories are liable to emphasize what is unusual in a production rather than the opportunities offered to General Preface to the Applause Shakespeare Library.
Страница vi
William Shakespeare John Russell Brown. unusual in a production rather than the opportunities offered to actors in any production of the play , the text's enduring theatrical vitality . In any case , all this material is kept separate ...
William Shakespeare John Russell Brown. unusual in a production rather than the opportunities offered to actors in any production of the play , the text's enduring theatrical vitality . In any case , all this material is kept separate ...
Страница xii
... production of Romeo and Juliet , starring Olivia de Havilland , failed to find favor with the critics in 1951 , John Mason Brown blamed neither set , nor casting , nor play , but rather a failure to respond to the poetry : Shakespeare's ...
... production of Romeo and Juliet , starring Olivia de Havilland , failed to find favor with the critics in 1951 , John Mason Brown blamed neither set , nor casting , nor play , but rather a failure to respond to the poetry : Shakespeare's ...
Страница xiii
... production evoked a whole town , a whole riotous manner of living ; so abundant and compelling was the life on stage that I could not wait to find out what happened next . ( Tynan Right and Left [ 1967 ] . pp.49-50 ) Each member of an ...
... production evoked a whole town , a whole riotous manner of living ; so abundant and compelling was the life on stage that I could not wait to find out what happened next . ( Tynan Right and Left [ 1967 ] . pp.49-50 ) Each member of an ...
Страница xvi
... production of the present century was in London in 1935 , when Peggy Ashcroft played Juliet , Edith Evans the nurse , and Laurence Olivier and John Gielgud alternated the parts of Romeo and Mercutio . Miss Ashcroft had , as the Times ...
... production of the present century was in London in 1935 , when Peggy Ashcroft played Juliet , Edith Evans the nurse , and Laurence Olivier and John Gielgud alternated the parts of Romeo and Mercutio . Miss Ashcroft had , as the Times ...
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action actor answer attention audience banished becomes BENVOLIO body break bring close comes continues dance dead dear death directed doth draw effect Elizabethan Enter Exit express eyes face fair fall father fear feelings follow friar give gone grief hand hast hath hear heart heaven hold immediately Juliet keep kill kiss LADY CAPULET LAWRENCE leave light lives look lord lovers married means Mercutio mind Montague mother move MUSICIAN night nurse once Paris performance perhaps PETER play Prince probably production question response Romeo scene seems sense Shakespeare short silent simple sound speaks speech stage stand stay strong suggests sweet talk tears tell thee thing thou thoughts tion tomb true turns Tybalt usually watch weeping wife young