Romeo and JulietHal Leonard Corporation, 2001 - 204 страници (Applause Books). These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. |
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Страница vi
... mind create subtextual pressures beneath the words . Visual statements are noted : the effect of groups of figures on stages , of an isolated figure , or of a pair of linked figures in a changing relationship ; the effect of delayed or ...
... mind create subtextual pressures beneath the words . Visual statements are noted : the effect of groups of figures on stages , of an isolated figure , or of a pair of linked figures in a changing relationship ; the effect of delayed or ...
Страница xi
... minds . But we must remember that , on the Elizabethan stage , and perhaps more so in Elizabethan life than in our own , " rare " and " brave " words were natural expressions of excitement and uplift- ed spirits . In Much Ado About ...
... minds . But we must remember that , on the Elizabethan stage , and perhaps more so in Elizabethan life than in our own , " rare " and " brave " words were natural expressions of excitement and uplift- ed spirits . In Much Ado About ...
Страница xv
... mind or soul that creates its own life and knows no “ impediments , " that " bears it out even to the edge of doom " ( Sonnet , cxvi ) . As in Shakespeare's later tragedies , other characters beside the protago- nists reveal during the ...
... mind or soul that creates its own life and knows no “ impediments , " that " bears it out even to the edge of doom " ( Sonnet , cxvi ) . As in Shakespeare's later tragedies , other characters beside the protago- nists reveal during the ...
Страница xxi
... mind when he wrote the tragedy , or what his first audiences saw in its performance , but at the end of the twenti- eth century we can see that certain strands in the writing and action can be emphasized to the exclusion of others that ...
... mind when he wrote the tragedy , or what his first audiences saw in its performance , but at the end of the twenti- eth century we can see that certain strands in the writing and action can be emphasized to the exclusion of others that ...
Страница 14
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action actor answer attention audience banished becomes BENVOLIO body break bring close comes continues dance dead dear death directed doth draw effect Elizabethan Enter Exit express eyes face fair fall father fear feelings follow friar give gone grief hand hast hath hear heart heaven hold immediately Juliet keep kill kiss LADY CAPULET LAWRENCE leave light lives look lord lovers married means Mercutio mind Montague mother move MUSICIAN night nurse once Paris performance perhaps PETER play Prince probably production question response Romeo scene seems sense Shakespeare short silent simple sound speaks speech stage stand stay strong suggests sweet talk tears tell thee thing thou thoughts tion tomb true turns Tybalt usually watch weeping wife young