All he shows her makes him dearer: Where they twain will spend their days. O but she will love him truly! He shall have a cheerful home; Bows before him at the door. All at once the colour flushes Her sweet face from brow to chin: As it were with shame she blushes, And her spirit changed within. Then her countenance all over Pale again as death did prove; But he clasped her like a lover, And he cheered her soul with love. So she strove against her weakness, Though at times her spirits sank: Shaped her heart with woman's meekness To all duties of her rank: And a gentle consort made he, And her gentle mind was such That she grew a noble lady, And the people loved her much. But a trouble weighed upon her, And perplexed her, night and morn, With the burden of an honour Unto which she was not born. Faint she grew, and ever fainter, As she murmured, "Oh, that he By way of contrast to this true English ballad, and to exemplify Tennyson's extent of range, we will give now a few lines from the Ode on the Death of the Duke of Wellington, which make one of the great passages in the poetry of the world :— -This is England's greatest son, In anger, wheeled on Europe-shadowing wings, A day of onsets of despair! Dashed on every rocky square Their surging charges foamed themselves away; Through the long tormented air Heaven flashed a sudden jubilant ray, And down we swept and charged and overthrew.1 What long-enduring hearts could do, In that world's earthquake, Waterloo! Pope is singular among our modern poets as having written nothing in blank verse; we do not remember that Tennyson has published so much as a sentence of prose. Not even, we believe, the shortest preface, dedication, or foot-note. In this as in other ways he has treated the public with almost ceremonious respect. Being by nature and vocation a poet, he declines to show himself without his singing robes about him. He will not make himself common, as he will do nothing carelessly or in haste. Nor has Browning either ever attempted to palm off careless work upon his readers. His Paracelsus, published when he was only three-and-twenty, marvellous as it was for the depth and completeness of the conception, was perhaps still more remarkable for the delicacy and perfection of the execution, peculiar as the manner was in some respects. And everything that he has produced since, even when departing farthest from established models, has been elaborated and finished with the same masterly skill. But, although he too has now made himself a great name, he has never attained, and is not likely ever to attain, the universal popularity of Tennyson, the general admiration at once of the few and of the many. There is scarcely anything in his poetry that is specially English. What of it is not distinctly of another country is either cosmopolitan or not of the earth at all. He has no special sympathies with the people whose language he writes, or with anything belonging to themeither their literature, their history, their political institutions, or any feeling that makes the national heart beat highest. It is irksome to most people to read English poetry, however fine artistically regarded, with so little in it of an English heart. Yet much of Browning's poetry, considered simply as poetry, is 1 The emphasis on we, as perhaps also on their four lines above. certainly, both in the soul of passionate vision that animates it and in grace and expressiveness of form, as exquisite as anything that has been produced in our day. He is often complained of as difficult to understand; and no doubt the train of thought is sometimes remote and subtle, and the language wrought to a corresponding degree of compression and fineness of edge, doing its work like the lancet or like the lightning. But this is equally true of much of Tennyson's poetry. Neither is to be read running. Browning, however, is so great a master of words that there is nothing he cannot make them do for him, no manner of using them in which he is not at home. Here is a portion (we must not be so unconscionable as to appropriate the whole) of one poem of his which is as simple and easy in style as it is airy and brilliant, and is in every way fitted to charm both old and young,-"The Pied Piper of Hamelin; A Child's Story," as it is entitled, "(written for, and inscribed to, W. M. the younger.)":Hamelin town's in Brunswick, By famous Hanover city; The river Weser, deep and wide, Washes its walls on the southern side; Almost five hundred years ago, To see the townsfolk suffer so Rats! They fought the dogs, and killed the cats, And bit the babies in the cradles, And ate the cheeses out of the vats, And licked the soup from the cooks' own ladies, Split open the kegs of salted sprats, Made nests inside men's Sunday hats, And even spoiled the women's chats, At last the people in a body To the Town Hall came flocking: «"Tis clear,” cried they, "our Mayor's a noddy; "To think we buy gowns lined with ermine "Rouse up, Sirs! Give your brains a racking "Or, sure as fate, we'll send you packing!" An hour they sat in council; At length the Mayor broke silence : "It's easy to bid one rack one's brain- (With the Corporation as he sat, Looking little, though wondrous fat; Nor brighter was his eye, nor moister Than a too-long-opened oyster, Save when at noon his paunch grew mutinous For a plate of turtle green and glutinous) "Only a scraping of shoes on the mat? Anything like the sound of a rat "Makes my heart go pit-a-pat!" "Come in!" the Mayor cried, looking bigger: And in did come the strangest figure! Quoth one: "It's as my great-grandsire, "Starting up at the trump of Doom's tone, "Had walked this way from his painted tombstone." He advanced to the council-table: And, "Please your honours," said he, "I'm able, "By means of a secret charm, to draw "All creatures living beneath the sun, That creep, or swim, or fly, or run, "After me so as you never saw ! "And I chiefly use my charm "On creatures that do people harm, |