The Modest Ambition of Andrew Marvell: A Study of Marvell and His Relation to Lovelace, Fairfax, Cromwell, and MiltonUniversity of Delaware Press, 1995 - 216 страници Marvell's evolving notion of his own role as poet is exhibited through his "reformation" of certain images in which an ultimate consistent development emerges that culminates in not just his rejection of what may be called the Edenic impulse, but a denial of its authenticity as such and an endorsement of destined progression. Both his occasional and thematic poetry may be seen for the most part as a response to the regicide, to the Interregnum, and perhaps most important, to his associations with four major figures of the time - Lovelace, Fairfax, Cromwell, and Milton. |
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Страница 15
... Civil War veterans were . He discovered for himself the paradox of the retired life : that while its apparent purpose was purity , arising from a sensitive con- science , its purpose was also evasion of virtuous responsibility for the ...
... Civil War veterans were . He discovered for himself the paradox of the retired life : that while its apparent purpose was purity , arising from a sensitive con- science , its purpose was also evasion of virtuous responsibility for the ...
Страница 18
... civil war period through which he traveled to adulthood , the civil wars , the Interregnum , and the Restoration . His intelligence and his sense of humor must have early set him apart . He does not seem to have been a bold person ...
... civil war period through which he traveled to adulthood , the civil wars , the Interregnum , and the Restoration . His intelligence and his sense of humor must have early set him apart . He does not seem to have been a bold person ...
Страница 24
... Civil War and Interregnum period is the discovery of cryptic vestiges of the lost court and its ritualism in the midst of a coun- try landscape , " and continues with an illustration of how Mar- vell's prefatory poem to Lovelace's ...
... Civil War and Interregnum period is the discovery of cryptic vestiges of the lost court and its ritualism in the midst of a coun- try landscape , " and continues with an illustration of how Mar- vell's prefatory poem to Lovelace's ...
Страница 33
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Страница 36
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Съдържание
18 | |
I have a Garden of my own Marvells Poetic Direction | 42 |
Twas no Religious House till now Marvell and the Retired Life with Fairfax | 56 |
Mine own Precipice I go Marvell and the Active Life | 75 |
Cromwell alone Marvell as Cromwells Poet | 92 |
Angelique Cromwell Angel of our Commonweal the Raised Leader and the Fallen Populace | 108 |
Spectators vain the Death of Cromwell | 138 |
That Majesty which through thy Work doth Reign Marvell and Milton | 159 |
Notes | 184 |
Bibliography | 206 |
213 | |
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Abbott allegorical Alured Andrew Marvell Anna Trapnel Anniversary Appleton House army Barebone's bishops carriage accident Cawood Castle Charles Charles's Chloe Christopher Hill church Commonwealth conscience Created Pleasure Crom Cromwell's death Daphnis Death of O.C. divine Drop of Dew echoes Eikon Basilike England English fall fallen fate faun Feake fear Fifth Monarchists Fifth Monarchy Men garden Growth of Popery hath Heaven honors Horatian Ode Hull Ibid Isabel John John Milton king king's Laud liberty lines live London Lord Lovelace Lovelace's Marvell presents Marvell's Marvell's poem Marvell's poetry ment Milton mind monarchy nature Nedham Nunappleton nuns nymph Oliver Cromwell Paradise Lost Parlia Parliament passage perhaps perspective poet poetic political Pow'r praise Prince prophecy Protector providential Religion Resolved Soul Richard Lovelace role royalist seems sense speaks stanza thing thou tion Trapnel Unfortunate Lover University Press vell well's William Fairfax writes York