Names of dramas : M-Z. Latin plays by English authors. Oratorios. Appendix to v.2 and 3. Additions and corrections to v.2 and 3Longman, Hurst, Rees, Orme, and Brown, 1812 |
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Страница 3
... c . Printed at York . Svo . 1799. The criticisms and emendations are more amusing than solid . 8. MACBETH . Trag . by Shak speare . Revised by J. P. Kemble , MAD and now first published as it is acted at B 2 3 MAC ...
... c . Printed at York . Svo . 1799. The criticisms and emendations are more amusing than solid . 8. MACBETH . Trag . by Shak speare . Revised by J. P. Kemble , MAD and now first published as it is acted at B 2 3 MAC ...
Страница 4
David Erskine Baker Isaac Reed, Stephen Jones. MAD and now first published as it is acted at Covent Garden Theatre . 8vo . 1803 . 9. THE MACKE ( a game at Cards ) . A Play . Acted by Hen- slowe's Company , Feb. 21 , 1594 . Not printed ...
David Erskine Baker Isaac Reed, Stephen Jones. MAD and now first published as it is acted at Covent Garden Theatre . 8vo . 1803 . 9. THE MACKE ( a game at Cards ) . A Play . Acted by Hen- slowe's Company , Feb. 21 , 1594 . Not printed ...
Страница 15
... published in 1732 , under the title of MR . TASTE , THE POETICAL FOr , & c . which see . 104. THE MAN OF TASTE . Farce , Anonymous , 1752. This piece was performed at Drury Lane , but is nothing more than Miller's piece cut into a farce ...
... published in 1732 , under the title of MR . TASTE , THE POETICAL FOr , & c . which see . 104. THE MAN OF TASTE . Farce , Anonymous , 1752. This piece was performed at Drury Lane , but is nothing more than Miller's piece cut into a farce ...
Страница 18
... published under the name of Hauteroche , but generally be- lieved to have been written by Thomas Corneille , in 1672 . 109. THE MAN'S THE MASTER . Com . by Sir W. Davenant . 4to . 1669. This was the last play its author wrote , being ...
... published under the name of Hauteroche , but generally be- lieved to have been written by Thomas Corneille , in 1672 . 109. THE MAN'S THE MASTER . Com . by Sir W. Davenant . 4to . 1669. This was the last play its author wrote , being ...
Страница 21
... published in Novem ber of that year . To quicken the sale , we suppose , it was reprint- ed in the following year , with a transposition of the two titles . See THE FORTUNATE PRINCE . 137. THE MARriage Broker ; or , The Pander . Com ...
... published in Novem ber of that year . To quicken the sale , we suppose , it was reprint- ed in the following year , with a transposition of the two titles . See THE FORTUNATE PRINCE . 137. THE MARriage Broker ; or , The Pander . Com ...
Често срещани думи и фрази
Acted at Covent Acted at Drury Acted at Lincoln's afterwards alteration Anonymous appears applause audience Ben Jonson benefit borrowed called character Charles Charles Dibdin Colman comedy comic Company copy Covent Garden dialogue Dibdin drama dramatic piece Drury Lane Dublin Duke edition English Entertainment Euripides Farce five acts founded French Garrick gentleman George Haymarket Henry honour humour Interlude James John John O'Keeffe Johnson King Lady late Lincoln's Inn Fields London Lord Love lover Masque ment merit Never acted night Opera original Performed at Covent play was acted plot poem poet Prince printed prologue published Queen racter Richard Richard Brome satire says scene lies Shak Shakspeare Shakspeare's songs stage story success taken Theatre Royal Thomas Thomas Dekker Thomas Durfey Thomas Middleton thor three acts tion Trag tragedy Tragi-Com trans translated Triumphs verses William writer written
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Страница 109 - Excellent wretch ! Perdition catch my soul, But I do love thee ! and when I love thee not Chaos is come again.
Страница 227 - For physic and farces his equal there scarce is— His farces are physic, his physic a farce is.
Страница 158 - They boast they come but to improve our state, enlarge our thoughts, and free us from the yoke of error ! Yes ; they will give enlightened freedom to our minds, who are themselves the slaves of passion, avarice, and pride. They offer us their protection : yes; such protection as vultures give to lambs — covering and devouring them ! They call on us to barter all of good we have inherited and proved, for the desperate chance of something better which they promise. Be our plain answer this : —...
Страница 82 - Fountain heads and pathless groves, Places which pale passion loves ! Moonlight walks, when all the fowls Are warmly housed save bats and owls ! A midnight bell, a parting groan ! These are the sounds we feed upon ; Then stretch our bones in a still gloomy valley ; Nothing's so dainty sweet as lovely melancholy.
Страница 158 - The throne we honour is the people's choice ; the laws we reverence are our brave fathers' legacy ; the faith we follow teaches us to live in bonds of charity with all mankind, and die with hope of bliss beyond the grave. Tell your invaders this, and tell them, too, we seek no change : and, least of all, such change as they would bring us.
Страница 60 - Looking tranquillity! It strikes an awe And terror on my aching sight; the tombs And monumental caves of death look cold, And shoot a chillness to my trembling heart.
Страница 111 - The fiery openness of Othello, magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible in his resolution, and obdurate in his revenge; the cool malignity of lago, silent in his resentment, subtle in his designs, and studious at once of his interest and his vengeance...
Страница 60 - And terror on my aching sight ; the tombs And monumental caves of death look cold, And shoot a chilness to my trembling heart. Give me thy hand, and let me hear thy voice ; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.
Страница 116 - Passage (from the Tower) through his Honourable Citie (and Chamber) of London, being the 15. of March, 1603. As well by the English as by the Strangers : With the Speeches and Songes, delivered in the severall Pageants.
Страница 42 - WILD and fantastical as this play is, all the parts, in their various modes, are well written, and give the kind of pleasure which the author designed. Fairies in his time were much in fashion ; common tradition had made them familiar, and Spenser's poem had made them great JOHNSON.