Coleridge's Literary Criticism |
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Страница 8
verse . to you all the while . But in verse you must do more ; —there the words ,
the media , must be beautiful , and ought to attract your notice - yet not so much
and so perpetually as to destroy the unity which ought to result from the whole ...
verse . to you all the while . But in verse you must do more ; —there the words ,
the media , must be beautiful , and ought to attract your notice - yet not so much
and so perpetually as to destroy the unity which ought to result from the whole ...
Страница 66
to a theory , that aims to identify the style of prose and verse , - ( if it does not
indeed claim for the latter a yet nearer resemblance to the average style of men
in the vivâ voce intercourse of real life ) —we might anticipate the following as not
the ...
to a theory , that aims to identify the style of prose and verse , - ( if it does not
indeed claim for the latter a yet nearer resemblance to the average style of men
in the vivâ voce intercourse of real life ) —we might anticipate the following as not
the ...
Страница 160
Schiller's blank verse is bad . He moves in it as a fly in a glue - bottle . His
thoughts have their connexion and variety , it is true , but there is no sufficiently
corresponding movement in the verse . How different from Shakespeare's
endless ...
Schiller's blank verse is bad . He moves in it as a fly in a glue - bottle . His
thoughts have their connexion and variety , it is true , but there is no sufficiently
corresponding movement in the verse . How different from Shakespeare's
endless ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings