Coleridge's Literary Criticism |
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Страница xiv
To discern its boundaries , to discriminate the false from the true in it , is a task
which itself demands a trained faculty and a sound judgement . And this demand
, which is made on us when we study Coleridge's literary criticism , is just one of ...
To discern its boundaries , to discriminate the false from the true in it , is a task
which itself demands a trained faculty and a sound judgement . And this demand
, which is made on us when we study Coleridge's literary criticism , is just one of ...
Страница xvii
It remains true , as Coleridge himself acutely remarks , that the characters of
Shakespeare's work , like those in real life , are to be inferred by the reader , not
told to him . But we have to be trained to inference ; we begin by seeing , for the
most ...
It remains true , as Coleridge himself acutely remarks , that the characters of
Shakespeare's work , like those in real life , are to be inferred by the reader , not
told to him . But we have to be trained to inference ; we begin by seeing , for the
most ...
Страница 185
as contrasted with lifeless mechanism—of free and rival originality as
contradistinguished from servile imitation, or, more accurately, a blind copying of
effects, instead of a true imitation of the essential principles?—Imagine not that I
am about ...
as contrasted with lifeless mechanism—of free and rival originality as
contradistinguished from servile imitation, or, more accurately, a blind copying of
effects, instead of a true imitation of the essential principles?—Imagine not that I
am about ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings