Coleridge's Literary Criticism |
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Страница 80
Sweet day , so cool , so calm , so bright , The bridal of the earth and sky , The
dew shall weep thy fall to - night ; For thou must dye . Sweet rose , whose hue
angry and brave Bids the rash gazer wipe his eye : Thy root is ever in its grave ,
And ...
Sweet day , so cool , so calm , so bright , The bridal of the earth and sky , The
dew shall weep thy fall to - night ; For thou must dye . Sweet rose , whose hue
angry and brave Bids the rash gazer wipe his eye : Thy root is ever in its grave ,
And ...
Страница 172
Yet nor the lays of birds , nor the sweet smell Of different flowers in odour and in
hue , Could make me any summer's story tell , Or from their proud lap pluck them
, where they grew : Nor did I wonder at the lilies white , Nor praise the deep ...
Yet nor the lays of birds , nor the sweet smell Of different flowers in odour and in
hue , Could make me any summer's story tell , Or from their proud lap pluck them
, where they grew : Nor did I wonder at the lilies white , Nor praise the deep ...
Страница 204
Shakespeare's rhymed verses are excessively condensed,—epigrams with the
point everywhere; but in his blank dramatic verse he is diffused, with a linked
sweetness long drawn out. No one can understand Shakespeare's superiorit fully
...
Shakespeare's rhymed verses are excessively condensed,—epigrams with the
point everywhere; but in his blank dramatic verse he is diffused, with a linked
sweetness long drawn out. No one can understand Shakespeare's superiorit fully
...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings