Coleridge's Literary Criticism |
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Страница 168
It is throughout as if a superior spirit more intuitive, more intimately conscious,
even than the characters themselves, not only of every outward look and act, but
of the flux and reflux of the mind in all its subtlest thoughts and feelings, were ...
It is throughout as if a superior spirit more intuitive, more intimately conscious,
even than the characters themselves, not only of every outward look and act, but
of the flux and reflux of the mind in all its subtlest thoughts and feelings, were ...
Страница 244
While Shakespeare accommodated himself to the taste and spirit of the times in
which he lived , his genius and his judgment taught him to use these characters
with terrible effect , in aggravating the misery and agony of some of his most ...
While Shakespeare accommodated himself to the taste and spirit of the times in
which he lived , his genius and his judgment taught him to use these characters
with terrible effect , in aggravating the misery and agony of some of his most ...
Страница 258
Beaumont and Fletcher have the same vice in the opposite pole , a servility of
sentiment and a spirit of partizanship with the monarchical faction . 6. From the
want of a guiding point in Massinger's characters , you never know what they are
...
Beaumont and Fletcher have the same vice in the opposite pole , a servility of
sentiment and a spirit of partizanship with the monarchical faction . 6. From the
want of a guiding point in Massinger's characters , you never know what they are
...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings