Coleridge's Literary Criticism |
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Страница 102
... my opinion with far greater probability of success , in sermons or moral essays ,
than in an elevated poem . It seems , indeed , to destroy the main fundamental
distinction, not only between a poem and prose, but even 102 WORDSWORTH.
... my opinion with far greater probability of success , in sermons or moral essays ,
than in an elevated poem . It seems , indeed , to destroy the main fundamental
distinction, not only between a poem and prose, but even 102 WORDSWORTH.
Страница 150
JOHNSON Dr. Johnson seems to have been really more powerful in discoursing
viva voce in conversation than with his pen in hand . It seems as if the excitement
of company called something like reality and consecutiveness into his ...
JOHNSON Dr. Johnson seems to have been really more powerful in discoursing
viva voce in conversation than with his pen in hand . It seems as if the excitement
of company called something like reality and consecutiveness into his ...
Страница 202
manly writer of the present day—Wordsworth, for example —would use; it seems
quite modern in comparison with the style of Shakespeare. Ben Jonson's blank
verse is very masterly and individual, and perhaps Massinger's is even still
nobler ...
manly writer of the present day—Wordsworth, for example —would use; it seems
quite modern in comparison with the style of Shakespeare. Ben Jonson's blank
verse is very masterly and individual, and perhaps Massinger's is even still
nobler ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings