Coleridge's Literary Criticism |
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Страница 198
Omit the first scene in Lear and yet everything will remain ; so the first and second
scenes in the Merchant of Venice . Indeed it is universally true . 6. Interfusion of
the lyrical — that which in its very essence is poetical - not only with the dramatic
...
Omit the first scene in Lear and yet everything will remain ; so the first and second
scenes in the Merchant of Venice . Indeed it is universally true . 6. Interfusion of
the lyrical — that which in its very essence is poetical - not only with the dramatic
...
Страница 211
The whole courting scene , indeed , in the beginning of the third act , between the
lovers is a masterpiece ; and the first dawn of disobedience in the mind of
Miranda to the command of her father is very finely drawn , so as to seem the
working ...
The whole courting scene , indeed , in the beginning of the third act , between the
lovers is a masterpiece ; and the first dawn of disobedience in the mind of
Miranda to the command of her father is very finely drawn , so as to seem the
working ...
Страница 228
In the fourth scene we have Mercutio introduced to us . Oh ! how shall I describe
that exquisite ebullience and overflow of youthful life , wafted on over the
laughing waves of pleasure and prosperity , as a wanton beauty that distorts the
face on ...
In the fourth scene we have Mercutio introduced to us . Oh ! how shall I describe
that exquisite ebullience and overflow of youthful life , wafted on over the
laughing waves of pleasure and prosperity , as a wanton beauty that distorts the
face on ...
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Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings
Библиография
| Заглавие | Coleridge's Literary Criticism |
| Автор | Samuel Taylor Coleridge |
| Редактор | John William Mackail |
| Сътрудник | John William Mackail |
| Издание | ново |
| Издател | H. Milford, 1931 |
| Оригиналът е от | Мичиганският университет |
| Цифровизирана на | 6 февр. 2007 |
| Брой страници | 266 страници |
| Експортиране на описанието | BiBTeX EndNote RefMan |