Coleridge's Literary Criticism |
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Страница 15
almost every different person on some different poem . ... time admitting , that
several of the poems had given them great pleasure ; and , strange as it might
seem , the composition which one cited as execrable , another quoted as his
favorite .
almost every different person on some different poem . ... time admitting , that
several of the poems had given them great pleasure ; and , strange as it might
seem , the composition which one cited as execrable , another quoted as his
favorite .
Страница 16
Samuel Taylor Coleridge John William Mackail. replied my friend with more than
usual quickness of manner, “I cannot agree with you there !—that, I own, does
seem to me a remarkably pleasing poem.” In the Lyrical Ballads (for my
experience ...
Samuel Taylor Coleridge John William Mackail. replied my friend with more than
usual quickness of manner, “I cannot agree with you there !—that, I own, does
seem to me a remarkably pleasing poem.” In the Lyrical Ballads (for my
experience ...
Страница 37
In “ The Thorn ' , the poet himself acknowledges in a note the necessity of an
introductory poem , in which he should have pourtrayed the character of the
person from whom the words of the poem are supposed to proceed : a
superstitious man ...
In “ The Thorn ' , the poet himself acknowledges in a note the necessity of an
introductory poem , in which he should have pourtrayed the character of the
person from whom the words of the poem are supposed to proceed : a
superstitious man ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings