Coleridge's Literary Criticism |
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Страница 102
First , because the object in view , as an immediate object , belongs to the moral
philosopher , and would be pursued , not only more appropriately , but in my
opinion with far greater probability of success , in sermons or moral essays , than
in ...
First , because the object in view , as an immediate object , belongs to the moral
philosopher , and would be pursued , not only more appropriately , but in my
opinion with far greater probability of success , in sermons or moral essays , than
in ...
Страница 105
are widely different from those with which I should read a poem, where the author
, having occasion for the character of a poet and a philosopher in the fable of his
narration, had chosen to make him a chimney-sweeper; and then, in order to ...
are widely different from those with which I should read a poem, where the author
, having occasion for the character of a poet and a philosopher in the fable of his
narration, had chosen to make him a chimney-sweeper; and then, in order to ...
Страница 110
351 , vol . ii . , where , speaking of a child , ' a six years ' darling of a pigmy size ” ,
he thus addresses him : Thou best philosopher , who yet dost keep Thy heritage !
Thou eye among the blind , That , deaf and silent , read'st the eternal deep ...
351 , vol . ii . , where , speaking of a child , ' a six years ' darling of a pigmy size ” ,
he thus addresses him : Thou best philosopher , who yet dost keep Thy heritage !
Thou eye among the blind , That , deaf and silent , read'st the eternal deep ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings