Coleridge's Literary Criticism |
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Страница xx
The difficulty indeed of cutting down the material to a reasonable limit has been
very great, and has involved the question how far preference should be given to
passages actually written by Coleridge himself. The unwary reader must be ...
The difficulty indeed of cutting down the material to a reasonable limit has been
very great, and has involved the question how far preference should be given to
passages actually written by Coleridge himself. The unwary reader must be ...
Страница 79
The one reminds me of an odd passage in Drayton's Ideas : SonNET IX . As other
men , so I myself do muse , Why in this sort I wrest invention so ; And why these
giddy metaphors I use , Leaving the path the greater part do go ; I will resolve ...
The one reminds me of an odd passage in Drayton's Ideas : SonNET IX . As other
men , so I myself do muse , Why in this sort I wrest invention so ; And why these
giddy metaphors I use , Leaving the path the greater part do go ; I will resolve ...
Страница 98
From a careful reperusal of the two volumes of poems , I doubt whether the
objectionable passages would amount in the ... In the Excursion the feeling of
incongruity is seldom excited by the diction of any passage considered in itself ,
but by ...
From a careful reperusal of the two volumes of poems , I doubt whether the
objectionable passages would amount in the ... In the Excursion the feeling of
incongruity is seldom excited by the diction of any passage considered in itself ,
but by ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings