Coleridge's Literary Criticism |
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Страница 52
I contend, that in both cases this unfitness of each for the place of the other
frequently will and ought to exist. And first from the origin of metre. This I would
trace to the balance in the mind effected by that spontaneous effort which strives
to hold ...
I contend, that in both cases this unfitness of each for the place of the other
frequently will and ought to exist. And first from the origin of metre. This I would
trace to the balance in the mind effected by that spontaneous effort which strives
to hold ...
Страница 59
without metre. Metre, therefore, having been connected with poetry most often
and by a peculiar fitness, whatever else is combined with metre must, though it
be not itself essentially poetic, have nevertheless some property in, common with
...
without metre. Metre, therefore, having been connected with poetry most often
and by a peculiar fitness, whatever else is combined with metre must, though it
be not itself essentially poetic, have nevertheless some property in, common with
...
Страница 157
The misfortune is, that he has begun to write verses without very well
understanding what metre is. Even if you write in a known and approved metre,
the odds are, if you are not a metrist yourself, that you will not write harmonious
verses; but to ...
The misfortune is, that he has begun to write verses without very well
understanding what metre is. Even if you write in a known and approved metre,
the odds are, if you are not a metrist yourself, that you will not write harmonious
verses; but to ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings