Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 197
... mere canvas and no more . Hence arises the true justification of the same stratagem being used in regard to Benedick and Beatrice , the vanity in each being alike . away from the Much Ado About Nothing all that which is not ...
... mere canvas and no more . Hence arises the true justification of the same stratagem being used in regard to Benedick and Beatrice , the vanity in each being alike . away from the Much Ado About Nothing all that which is not ...
Страница 227
... mere name for the yearning of his youthful imagination , and rushing into his passion for Juliet . Rosaline was a mere creation of his fancy ; and we should remark the boastful positiveness of Romeo in a love of his own making , which ...
... mere name for the yearning of his youthful imagination , and rushing into his passion for Juliet . Rosaline was a mere creation of his fancy ; and we should remark the boastful positiveness of Romeo in a love of his own making , which ...
Страница 233
... mere accident , to effect his object . I have a smack of Hamlet myself , if I may say so . Polonius . - A Maxim is a conclusion upon obser- vation of matters of fact , and is merely retrospective ; an idea , or , if you like , a ...
... mere accident , to effect his object . I have a smack of Hamlet myself , if I may say so . Polonius . - A Maxim is a conclusion upon obser- vation of matters of fact , and is merely retrospective ; an idea , or , if you like , a ...
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