Coleridge's Literary Criticism |
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Страница 197
The interest in the plot is always in fact on account of the characters, not vice
versa, as in almost all other writers; the plot is a mere canvas and no more.
Hence arises the true justification of the same stratagem being used in regard to
Benedick ...
The interest in the plot is always in fact on account of the characters, not vice
versa, as in almost all other writers; the plot is a mere canvas and no more.
Hence arises the true justification of the same stratagem being used in regard to
Benedick ...
Страница 227
Rosaline was a mere creation of his fancy; and we should remark the boastful
positiveness of Romeo in a love of his own making, which is never shown where
love is really near the heart. When the devout religion of mine eye Maintains such
...
Rosaline was a mere creation of his fancy; and we should remark the boastful
positiveness of Romeo in a love of his own making, which is never shown where
love is really near the heart. When the devout religion of mine eye Maintains such
...
Страница 233
Hamlet , who all the play seems reason itself , should be impelled , at last , by
mere accident , to effect his object . I have a smack of Hamlet myself , if I may say
so . . . Polonius . - A Maxim is a conclusion upon observation of matters of fact ,
and ...
Hamlet , who all the play seems reason itself , should be impelled , at last , by
mere accident , to effect his object . I have a smack of Hamlet myself , if I may say
so . . . Polonius . - A Maxim is a conclusion upon observation of matters of fact ,
and ...
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Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings