Coleridge's Literary Criticism |
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Страница 20
There was here no mark of strained thought , or forced diction , no crowd or
turbulence of imagery ; and , as the poet hath himself well described in his lines
on re - visiting the Wye ' , manly reflection and human associations had given
both ...
There was here no mark of strained thought , or forced diction , no crowd or
turbulence of imagery ; and , as the poet hath himself well described in his lines
on re - visiting the Wye ' , manly reflection and human associations had given
both ...
Страница 51
I fruitless mourn to him that cannot hear, And weep the more because I weep in
vain, and adds the following remark:-'It will easily be perceived, that the only part
of this Sonnet, which is of any value, is the lines printed in italics. It is ...
I fruitless mourn to him that cannot hear, And weep the more because I weep in
vain, and adds the following remark:-'It will easily be perceived, that the only part
of this Sonnet, which is of any value, is the lines printed in italics. It is ...
Страница 60
Of the five lines thus honourably distinguished , two of them differ from prose ,
even more widely than the lines which either precede or follow , in the position of
the words . A different object do these eyes require ; My lonely anguish melts no ...
Of the five lines thus honourably distinguished , two of them differ from prose ,
even more widely than the lines which either precede or follow , in the position of
the words . A different object do these eyes require ; My lonely anguish melts no ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings