Coleridge's Literary Criticism |
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Страница 68
By what rule that does not leave the reader at the poet's mercy , and the poet at
his own , is the latter to distinguish between the language suitable to suppressed
, and the language , which is characteristic of indulged , anger ? Or between that
...
By what rule that does not leave the reader at the poet's mercy , and the poet at
his own , is the latter to distinguish between the language suitable to suppressed
, and the language , which is characteristic of indulged , anger ? Or between that
...
Страница 78
The first is a sonnet , equally admirable for the weight , number , and expression
of the thoughts , and for the simple dignity of the language . ( Unless , indeed , a
fastidious taste should object to the latter half of the sixth line . ) The second is a ...
The first is a sonnet , equally admirable for the weight , number , and expression
of the thoughts , and for the simple dignity of the language . ( Unless , indeed , a
fastidious taste should object to the latter half of the sixth line . ) The second is a ...
Страница 144
My mind is not capable of forming a more august conception, than arises from the
contemplation of this great man in his latter days: poor, sick, old, blind, slandered,
persecuted, Darkness before, and danger's voice behind,in an age in which ...
My mind is not capable of forming a more august conception, than arises from the
contemplation of this great man in his latter days: poor, sick, old, blind, slandered,
persecuted, Darkness before, and danger's voice behind,in an age in which ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings