Coleridge's Literary Criticism |
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Страница xxii
From their gross matter she abstracts their forms , And draws a kind of
quintessence from things ; Which to her proper nature ... Thus does she , when
from individual states She doth abstract the universal kinds : Which then re -
clothed in divers ...
From their gross matter she abstracts their forms , And draws a kind of
quintessence from things ; Which to her proper nature ... Thus does she , when
from individual states She doth abstract the universal kinds : Which then re -
clothed in divers ...
Страница 4
We make up an ideal which , like the fox or lion in the fable , never changes .
Anima Poetae , p . 159 . Limitation of Love of Poetry A man may be , perhaps ,
exclusively a poet , a poet most exquisite in his kind , though the kind must needs
be of ...
We make up an ideal which , like the fox or lion in the fable , never changes .
Anima Poetae , p . 159 . Limitation of Love of Poetry A man may be , perhaps ,
exclusively a poet , a poet most exquisite in his kind , though the kind must needs
be of ...
Страница 26
But it was Mr. Wordsworth's purpose to consider the influences of fancy and
imagination as they are manifested in poetry, and from the different effects to
conclude their diversity in kind; while it is my object to investigate the seminal
principle, ...
But it was Mr. Wordsworth's purpose to consider the influences of fancy and
imagination as they are manifested in poetry, and from the different effects to
conclude their diversity in kind; while it is my object to investigate the seminal
principle, ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings