Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 197
... interest on the plot . The interest in the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more . Hence arises the true justification of the same ...
... interest on the plot . The interest in the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvas and no more . Hence arises the true justification of the same ...
Страница 208
... interest which is intended to spring from within . The romance opens with a busy scene admirably appropriate to the kind of drama , and giving , as it were , the key - note to the whole harmony . It pre- pares and initiates the ...
... interest which is intended to spring from within . The romance opens with a busy scene admirably appropriate to the kind of drama , and giving , as it were , the key - note to the whole harmony . It pre- pares and initiates the ...
Страница 249
... interest in a tale , in which there is no goodness of heart in any of the prominent characters . After the third act , this play becomes not a dead , but a painful , weight on the feelings . Zeluco is an instance of the same truth ...
... interest in a tale , in which there is no goodness of heart in any of the prominent characters . After the third act , this play becomes not a dead , but a painful , weight on the feelings . Zeluco is an instance of the same truth ...
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admirable Aeschylus ancient Anima Poetae Beaumont and Fletcher beautiful Ben Jonson Caliban character characteristic Coleridge common composition connexion criticism D. G. HOGARTH defect delight diction distinguished drama dramatists E. V. LUCAS effect equally Euripides excellence excitement expressed exquisite faculty fancy feelings greater Greek Hamlet heart human imagery images imagination imitation individual instance Introduction judgement language Lear less lines Lyrical Ballads Macbeth Massinger meaning metre Milton mind mode Monsieur Thomas moral nature never object observed once original Othello passages passion peculiar philosopher play pleasure poem poet poet's poetry possessed present principles produce prose reader rhyme Romeo and Juliet scene sense Shakespeare Sophocles soul spirit style sweet T. T. Aug T. T. July T. T. June taste things thou thought tion true truth Venus and Adonis verse whole words Wordsworth writings