Coleridge's Literary Criticism |
Между кориците на книгата
Резултати 1 - 3 от 49.
Страница 125
the gift of IMAGINATION in the highest and strictest sense of the word . In the play
... But in imaginative power , he stands nearest of all modern writers to
Shakespeare and Milton ; and yet in a kind perfectly unborrowed and his own .
To employ ...
the gift of IMAGINATION in the highest and strictest sense of the word . In the play
... But in imaginative power , he stands nearest of all modern writers to
Shakespeare and Milton ; and yet in a kind perfectly unborrowed and his own .
To employ ...
Страница 140
Lastly , the great and prevailing character of Spenser's mind is fancy under the
conditions of the imagination , as an ever present but not always active power .
He has an imaginative fancy , but he has not imagination , in kind or degree , as ...
Lastly , the great and prevailing character of Spenser's mind is fancy under the
conditions of the imagination , as an ever present but not always active power .
He has an imaginative fancy , but he has not imagination , in kind or degree , as ...
Страница 207
It addresses itself entirely to the imaginative faculty; and although the illusion may
be assisted by the effect on the senses of ... ought to come from within, - proper
and from the moved and sympathetic imagination ; whereas SHAKESPEARE 207
.
It addresses itself entirely to the imaginative faculty; and although the illusion may
be assisted by the effect on the senses of ... ought to come from within, - proper
and from the moved and sympathetic imagination ; whereas SHAKESPEARE 207
.
Какво казват хората - Напишете рецензия
Не намерихме рецензии на обичайните места.
Други издания - Преглед на всички
Често срещани думи и фрази
action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings