Coleridge's Literary CriticismH. Milford, 1931 - 266 страници |
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Страница 181
... human , thrown out of all human analogy , and thereby leaving us neither rules for imitation , nor motives to imitate ; —but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - con- ceit , —enables a vain ...
... human , thrown out of all human analogy , and thereby leaving us neither rules for imitation , nor motives to imitate ; —but if false , it is a dangerous falsehood ; -for it affords a refuge to secret self - con- ceit , —enables a vain ...
Страница 186
... human faculties , as reason or the moral law , the will , the feeling of the coincidence of the two ( a feeling sui generis et demonstratio demonstrationum ) called the conscience , the understanding or prudence , wit , fancy ...
... human faculties , as reason or the moral law , the will , the feeling of the coincidence of the two ( a feeling sui generis et demonstratio demonstrationum ) called the conscience , the understanding or prudence , wit , fancy ...
Страница 210
... human of the one and the supernatural of the other should tend to neutralize each other ; Caliban , on the other hand , is all earth , all condensed and gross in feelings and images ; he has the dawnings of understanding with- out ...
... human of the one and the supernatural of the other should tend to neutralize each other ; Caliban , on the other hand , is all earth , all condensed and gross in feelings and images ; he has the dawnings of understanding with- out ...
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admirable Aeschylus ancient Anima Poetae Beaumont and Fletcher beautiful Ben Jonson Caliban character characteristic Coleridge common composition connexion criticism D. G. HOGARTH defect delight diction distinguished drama dramatists E. V. LUCAS effect equally Euripides excellence excitement expressed exquisite faculty fancy feelings greater Greek Hamlet heart human imagery images imagination imitation individual instance Introduction judgement language Lear less lines Lyrical Ballads Macbeth Massinger meaning metre Milton mind mode Monsieur Thomas moral nature never object observed once original Othello passages passion peculiar philosopher play pleasure poem poet poet's poetry possessed present principles produce prose reader rhyme Romeo and Juliet scene sense Shakespeare Sophocles soul spirit style sweet T. T. Aug T. T. July T. T. June taste things thou thought tion true truth Venus and Adonis verse whole words Wordsworth writings