Coleridge's Literary Criticism |
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Страница 81
To him I brought a dish of fruit one day , And in the middle placed my HEART .
But he ( I sigh to say ) Look't on a servant , who did know his eye , Better than you
knew me , or ( which is one ) Than I myself . The servant instantly , Quitting the ...
To him I brought a dish of fruit one day , And in the middle placed my HEART .
But he ( I sigh to say ) Look't on a servant , who did know his eye , Better than you
knew me , or ( which is one ) Than I myself . The servant instantly , Quitting the ...
Страница 82
And threw my heart into the scalding pan ; My heart that brought it ( do you
understand ? ) The offerer's heart . Your heart was hard , I fear . ' Indeed ' tis true .
I found a callous matter Began to spread and to expatiate there : But with a richer
...
And threw my heart into the scalding pan ; My heart that brought it ( do you
understand ? ) The offerer's heart . Your heart was hard , I fear . ' Indeed ' tis true .
I found a callous matter Began to spread and to expatiate there : But with a richer
...
Страница 142
His actions to his words agreed, his words To his large heart gave utterance due,
his heart Contain'd of good, wise, fair, the perfect shape; and he left the
imperishable total, as a bequest to the ages coming, in the Paradise Lost.
His actions to his words agreed, his words To his large heart gave utterance due,
his heart Contain'd of good, wise, fair, the perfect shape; and he left the
imperishable total, as a bequest to the ages coming, in the Paradise Lost.
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings