Coleridge's Literary Criticism |
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Страница 14
Add only , that this process is facilitated by the circumstance of the words ' I ' and '
me ' , being sometimes equivalent , and sometimes having a distinct meaning ;
sometimes , namely , signifying the act of self - consciousness , sometimes the ...
Add only , that this process is facilitated by the circumstance of the words ' I ' and '
me ' , being sometimes equivalent , and sometimes having a distinct meaning ;
sometimes , namely , signifying the act of self - consciousness , sometimes the ...
Страница 23
conviction ) -- that fancy and imagination were two distinct and widely different
faculties , instead of being , according to the general belief , either two names
with one meaning , or , at furthest , the lower and higher degree of one and the
same ...
conviction ) -- that fancy and imagination were two distinct and widely different
faculties , instead of being , according to the general belief , either two names
with one meaning , or , at furthest , the lower and higher degree of one and the
same ...
Страница 41
Secondly, I deny that the words and combinations of words derived from the
objects, with which the rustic is familiar, whether with distinct or confused
knowledge, can be justly said to form the best part of language. It is more than
probable, that ...
Secondly, I deny that the words and combinations of words derived from the
objects, with which the rustic is familiar, whether with distinct or confused
knowledge, can be justly said to form the best part of language. It is more than
probable, that ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings