Coleridge's Literary Criticism |
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Страница 32
And where these are not sufficient, the mind contracts and hardens by want of
stimulants: and the man becomes selfish, sensual, gross, and hard-hearted. Let
the management of the Poor LAws in Liverpool, Manchester, or Bristol be
compared ...
And where these are not sufficient, the mind contracts and hardens by want of
stimulants: and the man becomes selfish, sensual, gross, and hard-hearted. Let
the management of the Poor LAws in Liverpool, Manchester, or Bristol be
compared ...
Страница 195
As the feeling with which we startle at a shooting star , compared with that of
watching the sunrise at the pre - established moment , such and so low is
surprise compared with expectation . 2. Signal adherence to the great law of
nature , that all ...
As the feeling with which we startle at a shooting star , compared with that of
watching the sunrise at the pre - established moment , such and so low is
surprise compared with expectation . 2. Signal adherence to the great law of
nature , that all ...
Страница 218
The distinction does not depend on the mere quantity of historical events in the
pla compared with the fictions, for there is as. o. history in Macbeth as in Richard;
but in the relation of the history to the plot. In the purely historical plays, the
history ...
The distinction does not depend on the mere quantity of historical events in the
pla compared with the fictions, for there is as. o. history in Macbeth as in Richard;
but in the relation of the history to the plot. In the purely historical plays, the
history ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings