Coleridge's Literary Criticism |
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Страница 88
In Shakespeare and Milton the word is never used without some clear reference,
proper or metaphorical, to the theatre. Thus Milton : Cedar, and pine, and fir, and
branching palm, A sylvan scene; and, as the ranks ascend, Shade above shade ...
In Shakespeare and Milton the word is never used without some clear reference,
proper or metaphorical, to the theatre. Thus Milton : Cedar, and pine, and fir, and
branching palm, A sylvan scene; and, as the ranks ascend, Shade above shade ...
Страница 142
By a life-long study Milton had known— What was of use to know, What best to
say could say, to do had done. His actions to his words agreed, his words To his
large heart gave utterance due, his heart Contain'd of good, wise, fair, the perfect
...
By a life-long study Milton had known— What was of use to know, What best to
say could say, to do had done. His actions to his words agreed, his words To his
large heart gave utterance due, his heart Contain'd of good, wise, fair, the perfect
...
Страница 144
From others only do we derive our knowledge that Milton, in his latter day, had
his scorners and detractors; and even in his day of youth and hope, that he had
enemies would have been unknown to us, had they not been likewise the
enemies ...
From others only do we derive our knowledge that Milton, in his latter day, had
his scorners and detractors; and even in his day of youth and hope, that he had
enemies would have been unknown to us, had they not been likewise the
enemies ...
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings