Coleridge's Literary Criticism |
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Страница 221
Cymbeline is a congener with Pericles, and distinguished from Lear by not
having any declared prominent object. But where shall, we class the Timon of
Athens 2 Perhaps immediately below Lear. It is a Lear of the satirical drama; a
Lear of ...
Cymbeline is a congener with Pericles, and distinguished from Lear by not
having any declared prominent object. But where shall, we class the Timon of
Athens 2 Perhaps immediately below Lear. It is a Lear of the satirical drama; a
Lear of ...
Страница 240
Lear. Of all Shakespeare's plays Macbeth is the most rapid, Hamlet the slowest,
in movement. Lear combines length with rapidity—like the hurricane and the
whirlpool, absorbing while it advances. It begins as a stormy day in summer, with
...
Lear. Of all Shakespeare's plays Macbeth is the most rapid, Hamlet the slowest,
in movement. Lear combines length with rapidity—like the hurricane and the
whirlpool, absorbing while it advances. It begins as a stormy day in summer, with
...
Страница 262
Crashaw , Richard , 149-50 . Cressida , 222 . Cumberland's Calvary , 105 . Farce
, definition of , 201 . Ferdinand , 210 ff . , 229 , Fielding , Henry , 105 , 153 .
Flaxman , 231 . Fletcher , See under Beaumont . Fool in Lear , 187 , 242-4 , 252 .
Crashaw , Richard , 149-50 . Cressida , 222 . Cumberland's Calvary , 105 . Farce
, definition of , 201 . Ferdinand , 210 ff . , 229 , Fielding , Henry , 105 , 153 .
Flaxman , 231 . Fletcher , See under Beaumont . Fool in Lear , 187 , 242-4 , 252 .
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings