Coleridge's Literary Criticism |
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With an Introduction by G. S. GORDON , and a frontispiece and facsimile title -
page . INCHBALD ( MRS . ) . A Simple Story ( 1791 ) . With an Introduction by
LYTTON STRACHEY , and facsimile title - page . PEACOCK ( T.L. ) . Nightmare
Abbey ...
With an Introduction by G. S. GORDON , and a frontispiece and facsimile title -
page . INCHBALD ( MRS . ) . A Simple Story ( 1791 ) . With an Introduction by
LYTTON STRACHEY , and facsimile title - page . PEACOCK ( T.L. ) . Nightmare
Abbey ...
Страница
Samuel Taylor Coleridge John William Mackail. THE OXFORD MISCELLANY I
Travel and Topography CURZON ( ROBERT ) . Visits to Monasteries in the
Levant . With an Introduction by D. G. HOGARTH . Illustrated . DUFF - GORDON (
LADY ) ...
Samuel Taylor Coleridge John William Mackail. THE OXFORD MISCELLANY I
Travel and Topography CURZON ( ROBERT ) . Visits to Monasteries in the
Levant . With an Introduction by D. G. HOGARTH . Illustrated . DUFF - GORDON (
LADY ) ...
Страница
Introduction by E. DOWDEN . WORDSWORTH . Literary Criticism . Introduction
by NOWELL C. SMITH . On Oxford India Paper only , 4s . 6d . net .
WORDSWORTH . Tract on the Convention of Cintra , 1809. Introduction by A. V.
DICEY .
Introduction by E. DOWDEN . WORDSWORTH . Literary Criticism . Introduction
by NOWELL C. SMITH . On Oxford India Paper only , 4s . 6d . net .
WORDSWORTH . Tract on the Convention of Cintra , 1809. Introduction by A. V.
DICEY .
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action admirable Aeschylus ancient appear attempt attention Beaumont beautiful become believe called cause character characteristic circumstances common compared continued criticism delight distinct distinguished drama effect equally excellence excitement existence expressed fact faculty fancy feelings former genius give greater ground heart human images imagination imitation individual instance interest Introduction judgement kind language latter Lear least less light lines living manner meaning mere metre Milton mind moral nature never object observed once original particular passages passion perhaps persons philosopher play pleasure poem poet poetic poetry possessed possible present principles produce prose reader reason represented rest result scene seems sense Shakespeare speak spirit stanza strong style sweet taste things thou thought tion true truth understanding verse whole words Wordsworth writings