Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 80Gale Research Company, 1984 |
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Страница 90
... feel unequivocally either for or against the main protagonists at this point , that may appreciate how necessary the king's gesture was without relishing its effects , or be glad that true Authority takes centre stage , or suddenly feel ...
... feel unequivocally either for or against the main protagonists at this point , that may appreciate how necessary the king's gesture was without relishing its effects , or be glad that true Authority takes centre stage , or suddenly feel ...
Страница 92
... feel . The fact that we still feel the force of dramatic shock in the rejection scene Bradley cannot but feel as a miscalculation : ' in the creation of Falstaff he over- reached himself . He was caught up on the wind of his own genius ...
... feel . The fact that we still feel the force of dramatic shock in the rejection scene Bradley cannot but feel as a miscalculation : ' in the creation of Falstaff he over- reached himself . He was caught up on the wind of his own genius ...
Страница 97
... feel the weight of his own waste . Here , by focusing on some elements of the argument of time , we can perceive a dramatic justification of Part Two . As in all father - son encounters , the older voice tries to persuade the younger ...
... feel the weight of his own waste . Here , by focusing on some elements of the argument of time , we can perceive a dramatic justification of Part Two . As in all father - son encounters , the older voice tries to persuade the younger ...
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As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
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