An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 страници |
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... . 89 . The Second Part of Henry IV . P. III . On the Præternatural Beings . P. 133 . The Tragedy of Macbeth . Upon the Cinna of Corneille . Upon the Death of Julius Cæfar . P. 173 . P. 207 . P. 245 . [ 1 ] INTRODUCTION . MR . Pope , in.
... . 89 . The Second Part of Henry IV . P. III . On the Præternatural Beings . P. 133 . The Tragedy of Macbeth . Upon the Cinna of Corneille . Upon the Death of Julius Cæfar . P. 173 . P. 207 . P. 245 . [ 1 ] INTRODUCTION . MR . Pope , in.
Страница 125
... Cinna has been ridiculed by Boileau . That of Sertorius is not very happy . His famous play of Rodogune is opened by two unknown perfons , one of whom begins , Enfin ce jour pompeux , cet heureux jour , nous luit ; and and , after un ...
... Cinna has been ridiculed by Boileau . That of Sertorius is not very happy . His famous play of Rodogune is opened by two unknown perfons , one of whom begins , Enfin ce jour pompeux , cet heureux jour , nous luit ; and and , after un ...
Страница 207
... Cinna : 66 66 Having often heard Corneille and Shake- fpear compared , I thought it proper to " ' fhew " fhew their different manner , in fubjects " that [ 207 ] Upon the Cinna of Corneille P.
... Cinna : 66 66 Having often heard Corneille and Shake- fpear compared , I thought it proper to " ' fhew " fhew their different manner , in fubjects " that [ 207 ] Upon the Cinna of Corneille P.
Страница 208
... Cinna ; and in which every thing is " relative to the confpiracy to the end of " the third Act . The reader may compare " the thoughts , the style , and the judg- " ment of Shakespear , with the thoughts , " the style , and the judgment ...
... Cinna ; and in which every thing is " relative to the confpiracy to the end of " the third Act . The reader may compare " the thoughts , the style , and the judg- " ment of Shakespear , with the thoughts , " the style , and the judgment ...
Страница 209
... , appears eafy to be done . In the theatrical dialogue , which is an imitation of dif- course , our Critics require the language of O nature , nature , and a just resemblance of the thing imitated Upon the CINNA of CORNEILLE . 209.
... , appears eafy to be done . In the theatrical dialogue , which is an imitation of dif- course , our Critics require the language of O nature , nature , and a just resemblance of the thing imitated Upon the CINNA of CORNEILLE . 209.
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abfurd addrefs admired Affaffin affume againſt allegory anſwer ANTONY appears Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia Engliſh eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firſt folemn foliloquy fome foul fpectator French fuch fuperior fuppofed genius Ghoft ghoſt greateſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juft juſt king lefs Macbeth manners maſters mind moft moſt muft muſt myſelf nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet poetry preſent purpoſe racter raiſed reaſon refpect repreſentation repreſented Roman ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſubject ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed Voltaire vulgar whofe whoſe Witches
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Страница 247 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Страница 260 - Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil, that men do, lives after them ; The good is oft interred with their bones ; So let it be with Caesar.
Страница 265 - O, now you weep; and, I perceive, you feel The dint of pity : these are gracious drops. Kind souls, what ! weep you, when you but behold Our Caesar's vesture wounded ? Look you here, Here is himself, marr'd, as you see, with traitors.
Страница 265 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend...
Страница 254 - How that might change his nature, there's the question: It is the bright day that brings forth the adder; And that craves wary walking. Crown him? — that? And then, I grant, we put a sting in him, That at his will he may do danger with.
Страница 182 - If chance will have me king, why, chance may crown me, Without my stir.
Страница 177 - Cromwell, I charge thee, fling away ambition : By that sin fell the angels; how can man, then, The image of his Maker, hope to win by it ? Love thyself last: cherish those hearts that hate thee ; Corruption wins not more than honesty.
Страница 262 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Страница 266 - I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me: but were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits and put a tongue In every wound of Caesar that should move The stones of Rome to rise and mutiny.
Страница 183 - Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued, against The deep damnation of his taking-off...